Thanks to the anonymous person who commissioned this episode and provided the characters. Will be interesting to see how this goes…
The characters in this story are fictional and any resemblance to real persons is coincidence.
The shows opens with a camera view from the very rear of the studio arena, showing row upon row of backs of heads, eagerly awaiting the evening’s entertainment. The camera slowly zooms over these heads, towards the stage. On the flanks, we see apparatus laid out, to be used in the all-important games. But it is to the stage’s centre that the camera resolutely zooms, homing in on the infamous sludge pool, the human catapult behind it, and the glittering throne to the side.
This week’s sludge is an ocean-blue colour, with small patches of grey. On top of this, there appears to be something drawn in white, but before the TV viewers can examine it in detail, the camera rises, up the pair of staircases that frame the pool on either side, and towards the illuminated archways.
Lights flash, sparks fly, the audience roars in anticipation. Out of the archways, the presenters make their entrance. Natalie – the tall, busty blonde – sports a strapless and sequinned scarlet gown with industrial push-up action. Her spring-loaded assets wobble as she bounces her way down the steps. Meanwhile, Clara – the sassy and petite brunette – enters the limelight in sporty blue hotpants, crop-top and knee-high boots. The outfit shows off plenty of her smooth, olive skin, as well as a tattoo of a peacock butterfly above her swaggering right hip.
Reaching the bottom of their respective staircases, the presenters converge dead centre at the front of the stage, exchanging a slick high-five.
Natalie: Woo! Hello everybody! She’s Clara Quick!
Clara: And she’s Natalie Lloyd!
Natalie: And welcome to Grudge-2-Sludge, the sensational show with a score to settle!
Clara: Welcome indeed! This is the show that delivers payback with a capital ‘P’, retribution with a capital ‘R’, and justice with a captial ‘J’!
Natalie: And karma with a capital ‘C’!
Clara makes a sideways glance towards Natalie, looks as if she is about to comment, then decides not to bother.
Clara: Shall we get on and welcome the contestants, Nat?
Natalie: Yes, let’s! Tonight in the red corner, we have the pleasure of welcoming our first chap onto the show. His name is Simon Askew, and he’s a 20-year-old supermarket worker from Sheffield!
A young man duly walks out of the red-rimmed archway, greeting the audience’s applause with a brief wave and nod. Standing around 5 foot 8, Simon is wearing a supermarket uniform comprising a shirt with vertical stripes of white and light green, an apron in a darker shade of green, and smart grey trousers. Only the colour of his tie indicates his allegiance to the red corner. His dark brown hair is in a contemporary cut – short back and sides while longer on top, spiked with a little wax – and he has a full but closely trimmed beard. Simon descends the staircase at a relaxed pace and greets Natalie at the bottom.
Natalie: Simon, good evening! How are you doing?
Simon: I’m doing okay, cheers, Natalie.
Natalie: Doing okay, but could be doing much better without this grudge weighing on you! Who is it against?
Simon: [with a world-weary expression] My duty manager, Sarah.
Clara: That would be Sarah Boswell, would it? Let’s bring her on from the blue corner! Sarah is 31 years old. She lives in Chesterfield but commutes to Sheffield, where, as Simon said, she’s a supermarket duty manager!
The audience applauds again as a woman emerges from the blue-rimmed archway. A little shorter than Simon at 5’6”, Sarah is dressed in the same shirt, apron and trousers as Simon, but her tie is blue instead of red. Although the uniform is quite masculine in style, it nonetheless brings out the feminine curves of her figure, which is of average build. Sarah has a round face and dirty-blonde hair tied back into a short ponytail, which would probably reach to her shoulders when untied. She descends the steps in a brisk and purposeful fashion, greeting Clara at the bottom.
Clara: Welcome to Grudge-2-Sludge, Sarah! How are you doing?
Sarah: Thanks, Clara. I’m doing fine!
Clara: Doing fine, but how do you feel to hear that one of your workers has a grudge against you?
Sarah: [with a stern look across at Simon] It doesn’t surprise me that Simon says that, but the truth is he gives me plenty of reason to hold a grudge against him!
Natalie: Oh yeah? We’ll hear about that in a moment! But first, Simon, this is your opportunity to sound off about your boss. Make the most of it!
Simon: Oh, I will, Natalie. Just listen to this…
A video-reel commences, showing the bright and airy interior of a high-end supermarket. The camera moves along several aisles until it finds Simon in one of them, wearing the same uniform. He holds a cardboard pallet of soup tins under one arm and transfers them to the shelf with the other.
Simon: [turning his head to face the camera]
I like my job and get on well
With customers and staff.
But when my boss is on my back…
At that moment, Sarah strides around the corner of the aisle. Simon hastily turns away from the camera, and resumes stacking the shelves with earnest vigour. Sarah pauses behind Simon and regards him rather sniffily. A bead of sweat runs down the side of Simon’s face.
Sarah: Chop chop, Simon!
Sarah places another pallet of tins on top of the one Simon is already holding. The added weight throws him off-balance and he staggers about, dropping several tins on the floor. Sarah shakes her head with a withering look and then, without offering any help, strides off.
Simon: [bending down to pick up the tins] …It isn’t such a laugh!
Next scene: Simon at the checkouts, packing an old lady’s bags. Sarah walks by and notices that there is a stain on the end of the checkout, so she puts a cloth in his hand. Simon has to wipe at the stain with one hand while continuing to pack the bags with the other. Sarah then notices a small spill on the floor, so she brings over a mop and bucket. Simon, not having any free hands, has to balance the mop against his body and push it with his foot. Next, Sarah brings a sponge, which she ties to Simon’s waist, and orders him to clean something else. Simon’s gyrations become increasingly clumsy, while shoppers look on in bemusement. Before long, the mop handle hits him in the face, he fumbles the old lady’s shopping all over the floor, and inadvertently steps into the bucket of water.
Simon: [voiceover]
She makes me do four jobs at once,
And calls it ‘multitasking’.
She ought to multiply my wage,
For all the things she’s asking!
Next scene: nighttime and the store is closed. Simon is cleaning out the fish counter. He scoops out a load of manky ice and fishy goo into buckets, pulling a face as he does so. A montage of snippets shows him in various positions – washing, wiping, spraying and polishing – interspersed with shots of a clock progressing through several hours, late into the night. Eventually the counter is spotless (a ‘glint’ effect is applied to the show-reel), and Simon looks worn out but satisfied. Sarah inspects his efforts. She shakes her head and, with a wicked grin, hands Simon a toothbrush.
The clock shows 5 am, and daylight is breaking over the supermarket. Simon is shown scrubbing with the toothbrush at the fish counter, while Sarah stands over him, arms folded and a smirk on her face.
Simon: [voiceover]
I understand things must be clean,
But Sarah’s tough to please.
And sometimes I can’t help but feel
She does it just to tease.
Next scene: Simon, wearing a pair of antlers on his head, pins a sign to a noticeboard, proclaiming “STAFF XMAS PARTY”. After he has gone, Sarah comes along and sees the sign. Shaking her head, she takes it down and screws it up.
In the staff room, a Christmas tree has been put up and a few nibbles are laid out on the table. Simon is pinning a paper chain along the wall. Sarah comes in and, unbeknownst to Simon, follows behind, unpinning the chain while he continues to pin it up.
Simon: [voiceover]
The festive season brings no truce
To Sarah’s heavy hand.
We used to have a Christmas bash,
But last year it was banned!
As Simon turns and looks in dismay, Sarah fixes him with a stern expression. She removes the antlers from Simon’s head and motions him to clear the table. Glumly, Simon begins clearing away the plates of nibbles.
Simon: [directly to the camera as he picks up a plate of pretzels]
Though Sarah isn’t cruel at heart,
Her strictness is too much.
Let’s bring her down off her high horse,
And SLING HER IN THE SLUDGE!!
Back in the studio, Simon puts on a sympathy-seeking expression while the audience boos at Sarah. She is uncowed, standing with her arms folded and returning an icy expression to her detractors.
Clara: Ooo, boo indeed! Sarah, I understand that a boss’s job is to, erm… boss, but you’re something of a supermarket slavedriver, aren’t you?!
Sarah: Hate to say it, Clara, but the grocery industry is a cut-throat environment these days, and staff need to be resourceful. I’m glad that Simon used the term ‘multitasking’ in his video, because it shows at least something I’m saying is getting through to him. He could do with learning another term, and that’s ‘time management’!
Simon pulls a face at Sarah in response to this.
Natalie: Well you talk about time management, but you had Simon spend loads of time cleaning that fish counter! Was it really necessary to have him scrub away with a toothbrush?
Sarah: [supressing a smirk] Absolutely. I don’t take any chances with hygiene, and a small brush is necessary to get under all the cracks!
Clara: I think you get under Simon’s skin – that’s for sure! And what’s all this about denying your workers a little Christmas cheer?! I know of another boss who did that; his name was Ebeneezer Scrooge!
Natalie: Yeah – bah humbug!!
Sarah: Oh puh-lease! If staff want to go to the pub for a Christmas drink, or book a table in a restaurant, that’s fine with me. I’m not against festive cheer; I am against a big messy party in my staffroom! [Leans into Clara] You need to hear about what happened on FA Cup Final day.
Simon: [looking uneasy] Oh, not this again!
Clara: No no, Simon, I think we do need to hear about this. Sarah, tell us what happened.
Sarah: I will, Clara, but I think you should hear my story from the beginning, cos I’ve got a lot to say about this young man…
Another video-reel plays. This one shows Sarah standing just inside the store’s sliding doors, with the car park visible behind her. She keeps looking at her watch and tutting.
Sarah: [impatiently regarding the camera]
I try to be a friendly boss,
But not the worker’s mate.
And Simon tries my leniency…
Sarah looks behind her through the window. Simon is running across the car park, putting on his apron and tie as he goes.
Sarah: …When he’s always so late!
Simon hurries through the door and makes a breathless half-apology to Sarah. The video-reel then shows the clock through various stages of the day, interspersed with various scenes of Simon. All have a common theme: he isn’t doing much work. In one, Simon is leaning against a partially stacked shelf, chatting away on his phone. Sarah turns the corner and shakes her head. Another scene shows Simon in the canteen. While everyone else is wolfing down sandwiches, Simon has a hearty three-course spread in front of him, which he leisurely eats while others come and go and the clock spins round. Sarah walks into the canteen and puffs in annoyance. Finally, Simon is shown outside the shop chatting to a couple of mates. Sarah stands watching him from the door, her fists clenched in frustration.
Sarah: [voiceover]
When barely has the lad clocked on,
He takes one of his ‘breaks’.
I dread to count the hours lost;
Such liberties he takes!
Scene: Simon in one of the aisles. He looks about himself to make sure sure he isn’t being watched, then undoes his top button and loosens his tie. Sarah rounds the corner, sees Simon, and sighs to herself. Another scene shows Simon stacking shelves with his apron untied and shirt untucked. Sarah watches him, shaking her head. Another time, Simon is sitting at the checkout. In place of his usual tie, he is wearing a huge, colourful bow-tie. He turns to greet who he thinks is the next customer, but his smile fades when he realises it is Sarah standing over him, frowning. In a final scene, Simon turns up for work, waving cheerfully to Sarah as he passes her at the door. At first, everything appears normal, but then the camera pans down to reveal Simon has on Hawaiian shorts and battered trainers.
Sarah: [voiceover]
And when it comes to uniform,
The code makes clear what goes.
But Simon thinks that it’s okay,
To customise his clothes.
Scene: the staffroom. Simon and a few other young workers are sitting around the TV, watching a football match, while they drink beer and eat takeaway food. They casually throw their beer cans over their shoulders, and leave their takeaway cartons – with half-eaten contents – on the table and the arms of the chairs, before getting up to leave. Sarah subsequently enters the staffroom, and stares in disgust at the mess that has been left.
Sarah: [voiceover]
I thought that I was being kind
To let Si watch the Cup.
So how did he repay my deed?
By making ME clean up!
Sarah picks up the beer cans and chucks them in the bin. At that moment Simon returns to the staff room. Looking in through the doorway, he pulls an awkward face and turns on his heel, while Sarah shouts after him. When it is clear that Simon isn’t going to return, Sarah resumes clearing up.
Sarah: [waving a pizza crust at the camera in an annoyed fashion]
He has potential, does that lad,
But also needs a nudge.
A dose of muck will buck him up,
So SLING HIM IN THE SLUDGE!
The video-reel ends. Back in the studio, it’s Simon’s turn to get booed. He protests his innocence to the audience, while Sarah looks smugly on.
Natalie: [mirroring Sarah’s sternness] Well well, Simon. This puts things in a different light, doesn’t it? No wonder Sarah won’t let you have a Christmas booze-up, when you leave all that mess from watching a simple football match!
Simon: Hey, I went back to do the cleaning up – as you saw in the video – but Sarah was already so cross I decided not to hang around! [Sniggers while Sarah frowns at him]
Clara: This isn’t a good time to deflect the blame, sunshine! I mean, some of the things that you’re accused of – being late, spending too long on your breaks – many workers who did that would be sacked by now! Seems that Sarah is actually a very lenient boss.
Simon: She’s exaggerating. I’m normally on time for work, even if I have to run to get there, and there have been – I dunno – two or three times when my break overran by mistake.
Sarah: [shaking her head] Four or five times… a week.
Natalie: And what about not wearing the correct uniform? It’s a supermarket, not a fashion parade!
Simon: Again, once or twice I made an honest mistake, and I didn’t notice because I was working so hard! And besides, Sarah always encourages us to take a creative approach to work.
Sarah: [puffing through her cheeks] The only thing Simon takes a creative approach to is his excuses!
Clara: Well, one thing’s clear: this dispute between you two isn’t going to go away by itself, so it’s a good job you came to Grudge-2-Sludge to settle the matter. Our methods are less formal than a disciplinary hearing, speedier than a tribunal, and make for much better prime-time entertainment too!
Natalie: In order to determine, which of you is in the right and which is in the wrong, we’re going to subject you to a series of difficult, demanding and – we dearly hope – demeaning games!
Clara: Simon, you won’t have time for shirking under our watch!
Natalie: And Sarah, you’ll have to get used to taking orders for a change!
Clara: But trust me, it’ll all be worth it for one of you. Because whoever of you amasses the most points in the three rounds, combined with the audience vote, will be awarded a certificate declaring the grudge settled in your favour. Plus, you’ll bag a fantastic prize!
Natalie: Simon, we’ve already established you’re a big football fan, so how about some tickets for you and three friends, to the 2019 Champions League final in Madrid?!
Simon: [eyes lighting up] Wow! That’d be awesome!
Natalie: We’ll also throw in flights, a four-night hotel stay, and some spending money to help you have a good time! But only if you win!
Clara: Sarah, if you win, we also have a trip to Spain lined up. But we know you prefer sun, scenery and seafood to beer and football, so we’ll be sending you and your family for a week’s stay in the charming region of Galicia. Highlights include the cathedral city of Santiago de Compostella and the beach resort of La Coruña!
Sarah: Sounds wonderful!
Natalie: It will be, but only if you win! That said, we don’t want anybody to be left out, so we’ve organised a trip for the loser too. An unforgettable trip – because your supermarket colleagues will never let you forget it!
Clara: And while the outward flight takes only a second or two, the return journey involves an arduous sea crossing! Come with us and we’ll show you!
Natalie and Clara turn and lead the contestants to the rectangular pool that forms the stage’s centrepiece. Squelching and bubbling noises can be heard as the camera surveys the scene. As revealed at the start of the show, the gunge is ocean blue, with small, irregular patches of grey. The surface has a bobbled appearance, indicating a very lumpy consistency, and glints sloppily under the studio lights. On top, a cartoon fishbone has been drawn using some kind of white foam that stands a good few inches above the surface. Its grinning face points towards the four observers.
Natalie: Yes, it’s the dreaded Sludge Sling! We’ve seen it in action a couple of times now, and by the end of the show, that catapult will be firing again, with one of you two on the end of it! [Looks down with a grimace] And dear me, Clara, could this be the vilest batch of sludge we’ve had so far?
Clara: I think it very well could be, Nat. The appearance speaks for itself, but what the viewers at home can’t discern is the stench of sprats and the hum of halibut wafting up from the depths!
Clara and Natalie wave their hands in front of their noses, pulling faces.
Natalie: We’re very grateful to your colleagues who donated the out-of-date offerings from the fish counter towards our brew! As for what else is in there… you don’t wanna know!
Simon keeps up his cocky manner as he surveys the sludge, while Sarah maintains her stern demeanor, but both are visibly daunted by the sight before them.
Clara: So now you know what’s at stake in tonight’s games! But before we begin, it’s time to give our studio audience their say. Ladies and gents, look in front of you and you should find a keypad. We’re going to ask you vote for the contestant you support – i.e. the one you want to see on that throne and not in that sludge!
Natalie: So if you see Simon as the poor, downtrodden worker, and think that all those dressings-down from Sarah merit a messing-up in return, then hit the red button marked “I side with Simon.”
Simon looks out hopefully to the audience, while Sarah folds her arms and shakes her head.
Clara: But, if you think that Sarah’s patience has been stretched beyond what is reasonable, and that Simon’s sloppy behaviour deserves a sloppy punishment, then hit the blue button marked “I side with Sarah.”
Sarah keeps her arms folded, but now nods with a determined smile. Simon turns on his self-pitying expression.
Natalie: Audience, you have fifteen seconds. Vote now!
The spectators eagerly reach for their keypads.
Alternative link.
Poll closes Thursday at 10 pm.
A buzzer sounds.
Natalie: Thanks very much, folks! The votes are in, they’ve been counted and verified, but for the time being they’re being kept hush-hush!
Clara: We’re going to have to wait until after Round Two to find out how people voted. When the scores are revealed, we’ll take your respective percentages of the vote, divide by five, and add the nearest whole numbers to your scores.
Natalie: In the meantime, we’ve got some great costumes for you to get changed into for the first round! But before heading backstage, you must make the pledge.
Clara: Simon and Sarah, do you pledge to put up a fair and honourable fight tonight, to bow to the adjudication of Nat and myself in all matters, and to accept the outcome as settling your grudge, once and for all?
Simon: Sure do.
Sarah: Yes I do.
Natalie: Then let’s have you shake on it – right there in front of the sludge, if you would please…
Simon and Sarah duly face one another, with the expanse of blue goo as their backdrop. Before shaking hands, Sarah can’t resist reaching forward to straighten Simon’s tie, tutting as she does so. Simon casts a weary shrug towards the camera.
As worker and boss shake on the agreement, a camera click sounds, and the picture freezes and turns sepia.