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The A-Z of Gunge II: Epilogue Part 1

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This story is pretty long, and serves as set-up for the proper ending of the A-Z. As such, this part contains no WAM, unless you want to include the fact Tiffany is already covered in 26 different messes. It’s pretty much the set-up for the poll that’s going to be up either later tonight or tomorrow, and the gunging that will result from it. Hope you like it anyway.

Previously on the A-Z of Gunge II:

Tiffany was a plucky young girl. A few hours ago, she beautiful porcelain-white skin and long, silky jet-black hair. Now both her hair and her body were coated with twenty-six different kinds of assorted gunk, glop and general mess. It was impossible to tell that under the mess, her slender body was clad in a white tank-top and blue denim shorts. At her feet was yet more of the mire of mixed muck, which made horrible slurping noises as she stood up from her chair, leaving yet more muck in her wake.

“Well done, Tiffany,” smiled Amanda, the ‘friend’ who had dished out not only the twenty-six messes that covered Tiffany’s body, but a matching set on various celebrities. Well, some celebrities and a lot of heavy metal singers, anyway. Amanda was completely clean, and dressed in the same outfit Tiffany had on beneath all that muck, only rather than going barefoot she still had a pair of white trainers and black ankle socks on. She was a bit taller and curvier than Tiffany, and had short, fringed blonde hair, with green eyes as the focus of her rather youthful face. “You managed to get through all twenty-six messes. How do you feel?”

“Like I desperately need a shower,” answered the gungee. “Also, you owe me big time!”

A familiar, Cardiff-accented voice came from stage left. “Funny you should mention that, love!” The voice’s owner stepped forwards, revealing herself to be an incredibly pale woman with colourless eyes, a curvy body and long blue hair in dreadlocks, tied back into a sort of ponytail. She wore some sort of black leather corset with matching skirt, combat boots and bright blue leggings. In her right hand was a big, black towel, which she promptly threw over to Tiffany.

And now, the conclusion:

“Who are you?” Tiffany asked, catching the towel and wiping her face and hands.

“Natalie Orwell, but my friends mostly call me ‘r1vetgrrl’. I chose the name when I was fifteen. Don’t laugh. Anyway, I’m the head of the Panicked Productions Build Team, so it was my job to design and oversee construction of that fine barrel tipper,” explained the Welsh albino.

Tiffany stared daggers at Natalie. “So it’s ultimately you who’s responsible for getting me into this state!”

“Woah, love! No, while I may have built the thing, you brought it on yourself by volunteering and Amanda did the deed. However, if I were to use your logic, I could also be ultimately responsible for you getting a bit of messy payback, if you so wanted.”

“Oh fuck…” Amanda muttered under her breath.

The messy brunette raised an eyebrow. “Go on.”

“I know where there’s a dunk tank, and I could easily rig up some mess droppers onto it. There’s always plenty of gunge available here too,” Natalie explained as an evil grin manifested on Tiffany’s face.

“Now hold on a moment! I was never told about this!” protested Amanda.

Tiffany giggled. “It’s only fair! You gunged me, so I should get to gunge you too!”

The blonde woman looked to Natalie, who only chuckled. Realising that she was totally outnumbered, Amanda heaved a sigh and looked at the ground dejectedly. “I suppose you should get a shot at me, then. I have a condition, though.”

“Go on…” Natalie raised an eyebrow.

“I want someone to get dunked with me. There’s no way I’m going in on my own.”

“Not it!” Tiffany declared, crossing her arms impatiently. “What about you, blue?”

Natalie shook her head. “Nope, I’m staying out of it. I do have an idea, though. Wait there.”

——

Panicked Productions’ Head Office

Ivy Lindgren was a shrewd, calculating businesswoman whom Mr. Vanilla had personally appointed as the new head of Panicked Productions. She was sat at her desk in her very ornate office, staring through her glasses at a very intimidated girl with pink hair. Ivy herself was a brunette with her hair tied up into a tight bun, thin body dressed in a black trouser suit and piercing green eyes. “Samantha, I’m not an unfair woman, but your mistake made our production company look like an utter joke out there,” said Ivy, her native Stockholm accent suppressed to the point of being hardly noticeable. “Tell me, what would you do in my position?” Before the pink-haired girl could answer, there was a knock at the door. “Actually, hold that thought.” She stood up and walked over to the door, high-heels thudding on the carpet. “Ah, Miss Orwell, do come in. I trust all is well with the A-Z Show now?”

Natalie stepped through the door. “Yes, very well thanks. All twenty-six celebrities have now been gunged and Tiffany’s raring to give Amanda her just desserts.”

“Very good! I knew you were the right person for the job despite your…” Ivy gripped the tip of one of Natalie’s deep blue dreads. “Your… quirks. Nevertheless, your sub-par subordinate and I were going to discuss what to do in the way of disciplinary action.”

Samantha, the ‘sub-par subordinate’ lowered her head. The way Ivy was talking made it sound as if she wasn’t supposed to be hearing the discussion, like she didn’t really matter. She fiddled with the buttons on her polo shirt nervously and looked at her shoes.

“I have a suggestion, but you’re the boss,” said Natalie.

“I think it would be appropriate to give Samantha additional training. In addition, until she not only takes but passes an examination in mess preparation, I will be suspending her from her duties.”

Samantha gasped. “Please no! I need to work!”

“With respect, Ms. Lindgren, I don’t think all that is necessary for what was essentially a misunderstanding,” said Natalie, looking to the pink-haired girl on the chair.

“So what do you propose, Orwell?”

“I’ll do anything! Just let me keep working! I’ll do better, I promise!”

Natalie smiled. “Amanda’s demanded that we don’t just gunge her, but someone else too. You can see where this is going, can’t you?”

Samantha bit her bottom lip. “I can,” she said, mulling over her options. She had got other clothes with her, but only jeans and a t-shirt. She knew what was waiting for Amanda, and chances were it would get her very messy. Like, it would not only trash her outerwear, but probably her underwear too. At the same time, she really did need the money that working would provide, and having to take additional classes and examinations on top of her university work would only add more stress. It was a tricky one to call. “Would it be possible to borrow like, a swimsuit or a change of underwear?”

“Honestly? Probably not,” said Natalie.

“Yes, I rather doubt it myself,” Ivy added.

Samantha scratched her head, teasing her pink pixie-cut hair. “I just don’t know. I mixed some of that gunge this morning and it looked horrible! I would not want to go in there, especially if I couldn’t change after!”

“You’re not scared of the gunge, are you?” Natalie stuck her tongue out.

Ivy tutted. “That’s just what I need – another employee who suffers from what I call ‘natrophobia’!”

“I’m not scared, alright? I just don’t want to get the bus home with my knickers sticking to my parts!” Samantha turned red with embarrassment as she said it. “But, I suppose if it means I can keep working then I’ll just have to deal with it.”

——

Panicked Productions Testing Area

“Welcome to my playground!” Natalie beamed as she entered the test area, along with Tiffany, Amanda and Samantha. “Sammy, you know this place already, but for the rest of you, here’s where I construct and tamper with all the various gadgets, games and gunk that go into our shows.” The test area was a wide space with various parts scattered around. Some were obviously things like gunge tanks, dunk mechanisms, inflatables of some description, buckets, gunge ingredients and all sorts of things beyond the comprehension of absolutely anyone who wasn’t the Welsh wonder in charge of turning all the components into a TV show. “In the back is a little pet project of mine. It’s a dunk tank with some overhead pre-dunk messes.”

“Ooh, like the fairground series of Get Your Own Back!” Tiffany cooed.

“Mmm, sort of! You’ll see what I mean in a moment,” said Natalie, leading the group to the tank. It was pretty big, easily a few metres wide and a metre deep. In it was a thick, purple gunge. Sure enough, as Natalie had said, there were a few small vats of mess poised above the chair, though they were a bit different from Get Your Own Back. For one thing, they were all cylindrical, unmarked and made of some kind of opaque black plastic. For another, they were on some kind of spindle, with just one positioned right above the seat at any given time. “Hey, Sammy, do you remember the little poll I had Suzi and Nicki doing the other day?”

Samantha thought back. “Yeah, I do. You had all of the messes listed and we had to pick our favourites, right?”

Natalie nodded. “That’s right! All but one of the twenty-six, listed alphabetically, skipping our usual gunge of course since that’s in the main vat. Well, I filled the tubes up there with the five most popular selections, and you two are going to get them!”

Tiffany burst out laughing. “Oh, this is going to be sweet!”

“Or savoury, or possibly both!” joked Natalie. “You’ll also be glad to know that the chair is extra-tough. It’ll be a tight squeeze, but it won’t have a problem holding you or pushing you into the vat. So, when you’re both ready, take your shoes and socks off and sit on the chair.”

Amanda and Samantha kicked their shoes off, then placed their socks inside the discarded footwear. Luckily for them, the chair was a little bit wider than normal, not that either of them were particularly bulky. Amanda got onto the chair, then shifted over to her right (left as the others looked upon them) to make room for Samantha. The pink-haired girl grabbed Amanda’s hand and held tightly. “I hope this isn’t too nasty!” she grimaced.

To be continued…



The A-Z Epilogue Vote

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If you’ve not read part one of the story, I’d recommend going and doing that. Link should be right there in the sidebar.

If you’ve done that (or decided that maybe 1700+ words with no actual gunging is too much), then you’ll know the following.

– Natalie is offering Tiffany the chance to gunge Amanda,
– Amanda will let her if she’s not the only one getting messy,
– One of Natalie’s employees, Samantha, is willing to join Amanda in the gunge rather than face a more traditional disciplinary procedure,
– The two will be facing a dunking in some gunge, with some additional messes before the dunk. Those messes are the five most popular messes from the rest of the A-Z (skipping G).

That’s where you all come in. In the story, the poll to find the other five messes was taken by Panicked Productions employees, but since they’re not a real thing, you lot will have to do it instead! For this poll you can select up to five options, and vote as often as you like until Saturday 10th October ’15. Poll will close then, resulting story will be up… eh, eventually. Anyway, here’s the poll.

Enjoy!


The Splosh Pit 1-3

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Suzi stood on the Splosh Pit Stage and looked into the camera. “We’ve got less than half an hour left, everyone,” she said, solemnly, the crowds and production staff all going “aww” in disappointment. “That means we’ve come to the main event! Warpaint! St. Vincent! One of them is about to perform right here, and the other is about to send one of their members right there.” She pointed into the thick vat of slimy green gunge. “The lines are closed, the votes are all counted and the results are final!” She dashed over to the pair of sofas next to the dunk seat. “Warpaint, things were looking great for you earlier. Confident that they’ve stayed about the same?”

Theresa smiled nervously. “I sure hope so!” she said, her bandmates concurring with nods.

“As for you, Annie, you’re not nervous at all at the fact that you were trailing by a lot earlier, are you?”

Annie chuckled and licked her lips. “Anything could happen!”

The host nodded and donned her reading glasses. She produced a small envelope from her jacket’s inside pocket held it up to the camera. “You’re right, anything could happen. In here are the results of what did.” She opened it up and read the card inside. “I can reveal that actually, nothing happened! Warpaint still have 64% of the vote, meaning they get to play us out and that Annie’s getting gunged!” announced Suzi. “Warpaint, anything you want to say before you go up and play for us?”

Theresa breathed a deep sigh of relief and shared an embrace with her bandmates. “Yes, thank you for voting for us!”

“It would have been pretty funny to see Theresa get it, though!” Jenny added.

“Yeah, but this is going to be even better!” Theresa retorted.

“Yes, I think you’re going to enjoy playing this set!” Suzi chuckled. “When you get up there, you’ll notice we added an extra pedal to your rig. I mean the big green one. If you stomp on it, you’ll activate the dunk seat.” As Warpaint left their seats to get to the stage, Suzi turned her attention to Annie. “As for you…”

Annie grinned cheekily. She rubbed her hands together and looked at the dunk tank seat. “This is going to be interesting…”

“That’s certainly one word for it! Anything you want to say before you take your shoes off and get on the seat?”

“Will you go in with me?”

Suzi scoffed. “As if I don’t get gunged enough in my job! No, you’re on your own! Get up there!”

The eccentric musician sighed and kicked her black high-heeled shoes off, before scrambling onto the dunk tank seat. Her long legs dangled over the edge of the seat, leaving her naked feet dipped in the thick, cold goo. Annie couldn’t resist the urge to swirl her feet through the gunge, wincing a little as it ran through her toes and all over her soles and insteps. As Annie raised her feet out of the slime, they left a trail of gunge leading back into the vat dripping from her heels.

Suzi signed the show off. “It’s the end of the show, and I just want to say thank you for watching, thanks to our guests for being here, especially Becky for getting gunged earlier and Annie for her imminent dunking! Join us next week for some more great music and gunge. Now, you’ve voted for them, so here’s Warpaint!”

As Warpaint were approaching the end of the first verse, Theresa placed her right foot on the big green pedal and cracked a cheeky smile. As she and Emily sang and repeated the lyric, “Now I’ve got you in the undertow”, Theresa pressed down on the pedal, sending Annie down into the vat of green gunge.

Annie squealed as she hit the slime, falling forwards and sinking slowly. She closed her eyes tightly as she went under, the gunge seeping into her dress. She emerged, her formerly impressive curls now a sodden, sticky mess. She grabbed a clump of her hair and looked it at, chuckling a bit. “Gross!” she whispered to herself. She flicked her hair away and looked at the “damage”, but couldn’t see very far down. Although she wasn’t touching the floor of the vat, she was up to her shoulders in the goo. As Warpaint’s set continued, through the rest of Undertow, to Beetles and closer Disco//Very, Annie had to deal with the bombardment from six nozzles hidden in the rim of the dunk tank, spaced out evenly. Each one sprayed one of three colours – red, yellow and blue in that order, starting with red at stage right and going clockwise. Sometimes the sprays were short, other times long. Sometimes all six would go off together. Sometimes it would be one or two at a time. Regardless, no matter what Annie did to try and shield herself from the gunge, she ended up getting messier and messier, squealing from a strange mix of surprise and amusement the entire time.

Finally, the set was over and Annie’s messy punishment was similarly concluded. So she hoped anyway. Right now she looked more like a Pollock work than a person, her dress stained and saturated with colourful gunk and her lovely curls turned into an ugly, matted mess. Unfortunately for her, there was one thing left. Above her was one last tank of gunge, smaller than the one Becky had faced earlier, but aimed straight for the middle of the tank, where she was floating. Of course, Annie had no idea until it was too late, and a deluge of lilac sludge was pouring down upon her. She screamed and shut her eyes, wiping the gunge off her face in a doomed attempt to try and see what was happening. All she managed to do was just rub the gunge from her hands into the gunge on her face, making a streaky mess of different colours, half of which were some variation of sludgy brown. Whenever a patch of clean face appeared, the lilac deluge soon covered it. Eventually Annie just sighed and let it wash over her. When it finally stopped, she couldn’t help smiling and thinking, “Well, this will certainly make for some interesting subject matter on the next album!”

——

I’d like to take this point to give a little update on the Character Competition. It is now closed, and I will be contacting the top six contributors soon. The characters edition of Splosh Pit will be out some time between now and the end of the year – got some other stuff I need to get out of my system first. For example, wrapping up a very long-running series, giving Nicki another job and finishing The Pairing Game!


RE: The Find Section

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Since apparently it needs defining, here’s what goes in the find section:

Any video or pictures of any sort that would appeal to people with any kind of female-WAM fetish, that don’t currently exist on TellyGunge.

That is it. Anyone can use it, but anyone with author, editor or administrator privileges can choose to post their finds on the main page instead.

Also, I’ve brought up this idea before but I’m making it official policy.

Anyone who makes regular contributions to the find section may be offered author privileges, mostly for the sake of being able to post directly onto the main page, with the load of neat little formatting options the rest of us get.

And finally, since it’s of relevance, a reminder of rule 4 of the site rules:

No individual member is an arbiter of what is or is not worthy of posting or discussion.

That’s pretty much it!


The A-Z of Gunge II: Epilogue Part 1

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This story is pretty long, and serves as set-up for the proper ending of the A-Z. As such, this part contains no WAM, unless you want to include the fact Tiffany is already covered in 26 different messes. It’s pretty much the set-up for the poll that’s going to be up either later tonight or tomorrow, and the gunging that will result from it. Hope you like it anyway.

Previously on the A-Z of Gunge II:

Tiffany was a plucky young girl. A few hours ago, she beautiful porcelain-white skin and long, silky jet-black hair. Now both her hair and her body were coated with twenty-six different kinds of assorted gunk, glop and general mess. It was impossible to tell that under the mess, her slender body was clad in a white tank-top and blue denim shorts. At her feet was yet more of the mire of mixed muck, which made horrible slurping noises as she stood up from her chair, leaving yet more muck in her wake.

“Well done, Tiffany,” smiled Amanda, the ‘friend’ who had dished out not only the twenty-six messes that covered Tiffany’s body, but a matching set on various celebrities. Well, some celebrities and a lot of heavy metal singers, anyway. Amanda was completely clean, and dressed in the same outfit Tiffany had on beneath all that muck, only rather than going barefoot she still had a pair of white trainers and black ankle socks on. She was a bit taller and curvier than Tiffany, and had short, fringed blonde hair, with green eyes as the focus of her rather youthful face. “You managed to get through all twenty-six messes. How do you feel?”

“Like I desperately need a shower,” answered the gungee. “Also, you owe me big time!”

A familiar, Cardiff-accented voice came from stage left. “Funny you should mention that, love!” The voice’s owner stepped forwards, revealing herself to be an incredibly pale woman with colourless eyes, a curvy body and long blue hair in dreadlocks, tied back into a sort of ponytail. She wore some sort of black leather corset with matching skirt, combat boots and bright blue leggings. In her right hand was a big, black towel, which she promptly threw over to Tiffany.

And now, the conclusion:

“Who are you?” Tiffany asked, catching the towel and wiping her face and hands.

“Natalie Orwell, but my friends mostly call me ‘r1vetgrrl’. I chose the name when I was fifteen. Don’t laugh. Anyway, I’m the head of the Panicked Productions Build Team, so it was my job to design and oversee construction of that fine barrel tipper,” explained the Welsh albino.

Tiffany stared daggers at Natalie. “So it’s ultimately you who’s responsible for getting me into this state!”

“Woah, love! No, while I may have built the thing, you brought it on yourself by volunteering and Amanda did the deed. However, if I were to use your logic, I could also be ultimately responsible for you getting a bit of messy payback, if you so wanted.”

“Oh fuck…” Amanda muttered under her breath.

The messy brunette raised an eyebrow. “Go on.”

“I know where there’s a dunk tank, and I could easily rig up some mess droppers onto it. There’s always plenty of gunge available here too,” Natalie explained as an evil grin manifested on Tiffany’s face.

“Now hold on a moment! I was never told about this!” protested Amanda.

Tiffany giggled. “It’s only fair! You gunged me, so I should get to gunge you too!”

The blonde woman looked to Natalie, who only chuckled. Realising that she was totally outnumbered, Amanda heaved a sigh and looked at the ground dejectedly. “I suppose you should get a shot at me, then. I have a condition, though.”

“Go on…” Natalie raised an eyebrow.

“I want someone to get dunked with me. There’s no way I’m going in on my own.”

“Not it!” Tiffany declared, crossing her arms impatiently. “What about you, blue?”

Natalie shook her head. “Nope, I’m staying out of it. I do have an idea, though. Wait there.”

——

Panicked Productions’ Head Office

Ivy Lindgren was a shrewd, calculating businesswoman whom Mr. Vanilla had personally appointed as the new head of Panicked Productions. She was sat at her desk in her very ornate office, staring through her glasses at a very intimidated girl with pink hair. Ivy herself was a brunette with her hair tied up into a tight bun, thin body dressed in a black trouser suit and piercing green eyes. “Samantha, I’m not an unfair woman, but your mistake made our production company look like an utter joke out there,” said Ivy, her native Stockholm accent suppressed to the point of being hardly noticeable. “Tell me, what would you do in my position?” Before the pink-haired girl could answer, there was a knock at the door. “Actually, hold that thought.” She stood up and walked over to the door, high-heels thudding on the carpet. “Ah, Miss Orwell, do come in. I trust all is well with the A-Z Show now?”

Natalie stepped through the door. “Yes, very well thanks. All twenty-six celebrities have now been gunged and Tiffany’s raring to give Amanda her just desserts.”

“Very good! I knew you were the right person for the job despite your…” Ivy gripped the tip of one of Natalie’s deep blue dreads. “Your… quirks. Nevertheless, your sub-par subordinate and I were going to discuss what to do in the way of disciplinary action.”

Samantha, the ‘sub-par subordinate’ lowered her head. The way Ivy was talking made it sound as if she wasn’t supposed to be hearing the discussion, like she didn’t really matter. She fiddled with the buttons on her polo shirt nervously and looked at her shoes.

“I have a suggestion, but you’re the boss,” said Natalie.

“I think it would be appropriate to give Samantha additional training. In addition, until she not only takes but passes an examination in mess preparation, I will be suspending her from her duties.”

Samantha gasped. “Please no! I need to work!”

“With respect, Ms. Lindgren, I don’t think all that is necessary for what was essentially a misunderstanding,” said Natalie, looking to the pink-haired girl on the chair.

“So what do you propose, Orwell?”

“I’ll do anything! Just let me keep working! I’ll do better, I promise!”

Natalie smiled. “Amanda’s demanded that we don’t just gunge her, but someone else too. You can see where this is going, can’t you?”

Samantha bit her bottom lip. “I can,” she said, mulling over her options. She had got other clothes with her, but only jeans and a t-shirt. She knew what was waiting for Amanda, and chances were it would get her very messy. Like, it would not only trash her outerwear, but probably her underwear too. At the same time, she really did need the money that working would provide, and having to take additional classes and examinations on top of her university work would only add more stress. It was a tricky one to call. “Would it be possible to borrow like, a swimsuit or a change of underwear?”

“Honestly? Probably not,” said Natalie.

“Yes, I rather doubt it myself,” Ivy added.

Samantha scratched her head, teasing her pink pixie-cut hair. “I just don’t know. I mixed some of that gunge this morning and it looked horrible! I would not want to go in there, especially if I couldn’t change after!”

“You’re not scared of the gunge, are you?” Natalie stuck her tongue out.

Ivy tutted. “That’s just what I need – another employee who suffers from what I call ‘natrophobia’!”

“I’m not scared, alright? I just don’t want to get the bus home with my knickers sticking to my parts!” Samantha turned red with embarrassment as she said it. “But, I suppose if it means I can keep working then I’ll just have to deal with it.”

——

Panicked Productions Testing Area

“Welcome to my playground!” Natalie beamed as she entered the test area, along with Tiffany, Amanda and Samantha. “Sammy, you know this place already, but for the rest of you, here’s where I construct and tamper with all the various gadgets, games and gunk that go into our shows.” The test area was a wide space with various parts scattered around. Some were obviously things like gunge tanks, dunk mechanisms, inflatables of some description, buckets, gunge ingredients and all sorts of things beyond the comprehension of absolutely anyone who wasn’t the Welsh wonder in charge of turning all the components into a TV show. “In the back is a little pet project of mine. It’s a dunk tank with some overhead pre-dunk messes.”

“Ooh, like the fairground series of Get Your Own Back!” Tiffany cooed.

“Mmm, sort of! You’ll see what I mean in a moment,” said Natalie, leading the group to the tank. It was pretty big, easily a few metres wide and a metre deep. In it was a thick, purple gunge. Sure enough, as Natalie had said, there were a few small vats of mess poised above the chair, though they were a bit different from Get Your Own Back. For one thing, they were all cylindrical, unmarked and made of some kind of opaque black plastic. For another, they were on some kind of spindle, with just one positioned right above the seat at any given time. “Hey, Sammy, do you remember the little poll I had Suzi and Nicki doing the other day?”

Samantha thought back. “Yeah, I do. You had all of the messes listed and we had to pick our favourites, right?”

Natalie nodded. “That’s right! All but one of the twenty-six, listed alphabetically, skipping our usual gunge of course since that’s in the main vat. Well, I filled the tubes up there with the five most popular selections, and you two are going to get them!”

Tiffany burst out laughing. “Oh, this is going to be sweet!”

“Or savoury, or possibly both!” joked Natalie. “You’ll also be glad to know that the chair is extra-tough. It’ll be a tight squeeze, but it won’t have a problem holding you or pushing you into the vat. So, when you’re both ready, take your shoes and socks off and sit on the chair.”

Amanda and Samantha kicked their shoes off, then placed their socks inside the discarded footwear. Luckily for them, the chair was a little bit wider than normal, not that either of them were particularly bulky. Amanda got onto the chair, then shifted over to her right (left as the others looked upon them) to make room for Samantha. The pink-haired girl grabbed Amanda’s hand and held tightly. “I hope this isn’t too nasty!” she grimaced.

To be continued…


The A-Z Epilogue Vote

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If you’ve not read part one of the story, I’d recommend going and doing that. Link should be right there in the sidebar.

If you’ve done that (or decided that maybe 1700+ words with no actual gunging is too much), then you’ll know the following.

– Natalie is offering Tiffany the chance to gunge Amanda,
– Amanda will let her if she’s not the only one getting messy,
– One of Natalie’s employees, Samantha, is willing to join Amanda in the gunge rather than face a more traditional disciplinary procedure,
– The two will be facing a dunking in some gunge, with some additional messes before the dunk. Those messes are the five most popular messes from the rest of the A-Z (skipping G).

That’s where you all come in. In the story, the poll to find the other five messes was taken by Panicked Productions employees, but since they’re not a real thing, you lot will have to do it instead! For this poll you can select up to five options, and vote as often as you like until Saturday 10th October ’15. Poll will close then, resulting story will be up… eh, eventually. Anyway, here’s the poll.

Enjoy!


Swipe TV ms. McGarvey

Pancake Day: Intro and Trailer: Holy Crepe:

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Introduction:

This series is a collection of linked short WAM scenes, with a continuous thread that plays throughout. Rather than write an intro for each section I think it will work a lot better to write a single intro for the whole series here. I’ll also be republishing the trailer, which I originally published at the end of my last Paradise by the Fairground Light series, for those who missed it, and to refresh memories, as it does set up the basic story.

The origins of this story go back a long way. It was several years ago when I had the idea of a mess based slasher film. The idea I had was for a gamesman style killer, who would kidnap their victim, and subject them to a messy task they had to complete to avoid a worse, more humiliating messy experience.
I had some good ideas for some scenes, but struggled to come up with anything to link the scenes together, so in the end this scene got put aside as I moved on to Bianca’s Messy Awakening, you might notice a few similarities between the first scene here and the first scene in that story, as I did reuse some of the ideas.

It was while writing my last series I came up with the idea of writing up the scenes as a series of short stories as a fun distraction, skipping the scenes between the messy scenes. This is why each section skips forward a number of scenes, as it’s the mostly non messy scenes between each main messy scene.

Also as it’s based around the idea of a film I have added some elements to make it like a film script:

Black Opera: For instance when the characters speak their name is placed at the beginning, before they speak.

I also refer to the camera at various points, with what it’s focusing on, to help tell the story. I think the end result is a good fun series that I had a lot of fun writing.


Pancake Day Trailer:

The camera shows a beautiful brunette girl in a navy blue dress, as she comes out of a front door with a suggestive smile on her face. The camera continues to track her, staying a few feet in front of her as she walks down the road as we hear a voice over play.

Voice Over Guy: Clarity Lemon thought she had it all. Head cheerleader. Dating the captain of the football team. Hot favourite in the Southbrook Carnival baking competition this year. Then …..

Clarity is suddenly struck square in the face with a large pie with a thick white foam filling. The camera cuts to a close up of her foam covered face, before quickly cutting again to Clarity, now securely restrained in a solid looking steel chair. As she looks around in panic we hear a mysterious voice from off screen.

Mysterious Voice: Hello Clarity. It’s playtime.

The camera then cuts to an office in a police station, where a Detective Briggs and a Detective Louis are talking:

Briggs: So whos our suspect?
Louis: Helen Mathews.
Briggs: I recognise that name from somewhere.

We see a quick cut of a womans feet. Shes wearing a daring pair of 7 inch stiletto boots.

Louis: She won the Southbrook Carnival baking contest three years in a row, until last year.
Briggs: Was she the one who had the accident.
Louis: Well the records say it was an accident. There was suspicion of sabotage.
Briggs: Remind me. Exactly what happened.

We see a quick cut of a woman searching through a large cupcake with her face.

Louis: She was finishing her entry in the baking tent, when the oven exploded. She wasnt seriously hurt, but she was covered in all sorts of baking ingredients. Eggs, flour, treacle, batter, she was completely covered in front of the whole carnival.
Briggs: Then what happened?

We see a quick cut of a woman plunging into a pool of thick white pancake batter.

Louis. Helen then disappeared. Word was she felt to humiliated to show her face here again.

Briggs: And now someone’s kidnapping girls, and subjecting them to humiliating public gungings.

We see a quick cut of a woman covered in melted ice cream.

Louis: It appears that way.
Briggs: Well put out an alert to all officers. I want this Helen Mathews found.

The camera cuts away one last time, finally seeing Helens face, which has been painted pure white, with red lipstick and pink blusher.

Helen: My names not Helen! Its Princess Porcelain!

The screen the fades to black, then the title appears on the screen in giant letter. It says: Pancake Day, in smaller letters underneath it says: this October. We then hear Princess Porcelains voice one last time:

Porcelain: Its Playtime.

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Next in the Series
By the same Author
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Pancake Day: Scene 1: You’ll be Battered to Death:

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The screen starts black, then with a sudden whoosh the lights come on. The camera is focused on an attractive 20 something brunette, with saloon styled hair. Shes wearing an elegant navy blue dress, that still reveals enough flesh to be suggestive.
She is currently sitting in a solid looking steel, throne like chair. Heavy steel straps hold her arms to the arms of the chair and her ankles to the legs. The camera zooms out to reveal this is resting on some sort of fairground roundabout, but the wooden animals have been painted more vivid and demented colours than normal. As the girl in the chair looks around in panic an unknown voice speaks from off camera;

Porcelain: Hello Clarity. Its playtime.

The camera cuts to our villainess, Porcelain. The camera starts at her feet, on a pair of black, knee high go-go boots, with a seven inch stiletto platform heel. As the camera pans up it shows her opaque red tights, leading to a pair of tight black leather hot pants. Above that she is wearing a red and black hooded leather jacket. As the camera pans up she removes her hood to reveal her face. She has mid length black hair, tied into pigtails at the side. Her face is painted pure white, with delicate red lips pink rosy cheeks and perfectly shaped eye painted on, giving her a doll like appearance.
The camera cuts back to Clarity. Still struggling in the chair.

Clarity: You let me out right now. If you dont my Daddys going to sue you.
Porcelain: If your mums as slutty as you Clarity youll need to do a DNA test before that happens.
Clarity: Stop it! Let me out right now!
Porcelain: Oh Clarity your never any fun. Every year you take the baking completion so seriously. Youre always so determined to win everything you enter, even to the point that youll sabotage your competition, and your always extra nice to the judges, if you know what I mean.
Clarity: Last year I won fare and square.
Porcelain: And you never think of anything else. This is supposed to be a carnival Look I brought balloons. What fun.

Porcelain holds up 3 brightly coloured balloons in her left hand. Rather than being full of air though they appear to be full of a thick dark liquid. In her right hand she is holding a long knitting needle. She holds the balloons above a prone Clarity, and then bursts them, one after another. As she does this a thick light brown pancake batter bursts from the balloons and falls down onto Clarity, covering her hair and face in batter.

Clarity: When I get out of here Im going to kill you.
Porcelain: What you dont like my balloons? Thats such a shame, and I arranged for an extra special balloon for you up there.

As Clarity looks up the camera shots to a shot of a huge weather balloon, five foot across, trembling slightly due to all the liquid inside it, hanging from the ceiling.

Porcelain: Dont worry Clarity. Its not just balloons youll get to play with. You also get a go on my carrousel.

Suddenly a loud fairground organ starts playing. Lights light up, and Clarity starts to slowly move around on a large turntable. At the same time the weather balloon also moves, always swaying above Claritys head.

Clarity: What are you doing?
Porcelain: Dont worry Clarity. Soon everyone will see what fun your having.

The camera cuts to a wide red velvet curtain on one side of the turntable.

Porcelain: When you reach that curtain it will drop, and everyone at the fair will see the fun you have when the balloon bursts.
Clarity: Look the jokes over. Just let me go.
Porcelain: What? You still want out? Im afraid I cant let you out. Those straps are held in place by an electric circuit. You can only release it by completing the circuit. Now how would you do that?

The camera cuts to a large plastic funnel, located next to Clarity.

Porcelain: Oh, I know. You need to drop 5 metal ball bearings into that funnel to complete the electrical circuit. Now where could you find those.

The camera shows a shot of Clarity as a huge metal tub, 18 inches across, 6 inches deep swings from around the back of the chair, and in front of Clarity. The camera zooms into the tub to show it is filled with flour.

Clarity: How am I supposed to search in there?
Porcelain: Well if you cant use your hands youll have to use your teeth.
Clarity: You expect me to put my face in that.
Porcelain: What you dont want to play with me. Well if you really, really dont want to you dont have to. You could just stay there, and let everyone at the fair see you get completely covered in batter.
Clarity: What kind of choice is that?
Porcelain: One youd better hurry up and make. As for me, I cant waste time talking to you all day. Ive got lots of other fun games planned for the rest of your friends.

With that Porcelain walks out leaving Clarity on her own as the music plays, and she slowly gets closer to the curtains. She pulls on the restraints one last time, before with a grunt of annoyance she sticks her face in the flour.
The camera remains in close up on Clarity for the next 30 seconds, as she digs deeper and deeper, until her head is almost completely sunk into the flour. She raises her head taking a deep breath, revealing the combination of the batter and the flour has left her face and hair covered in a thick sticky mess.
The camera cuts to the deep hole Clarity has dug in the flour. You can just about see one of the ball bearings sticking out from the flour. Clarity digs her face deep into the flour, and just about reaches with her lips to grab the ball. The camera cuts to a long shot of Clarity as she drops the first ball into the funnel. You see Clarity getting close to the curtain. The camera zooms in to Claritys face, now completely covered in flour. She plunges her face into the flour again, this time frantically searching, displacing large amounts of flour over the side of the tub in her haste. She raises her head with another ball bearing in her mouth, that she drops into the funnel. As she does this you see shes almost at the curtain.

The camera cuts to outside. A lively carnival is taking place. Large numbers of people are gathered around, watching and playing the games. Suddenly a loud siren blares above the sound of the crowd, and a bright spotlight shines on a red curtain. The whole crowd is focused on it as it drops and reveals a still bound, bedraggled looking Clarity. We hear her scream above the crowd as the camera pans in;

Clarity: No! No! No!

Its in vain though. A loud pop is heard as the giant weather balloon bursts, raining thick, sticky white batter down on her, instantly leaving her completely covered in batter. The camera focuses on her as the batter drips off her. She raises her head and opens her eyes, looking out in shock. The camera cuts to see what she sees, a huge crowd of people staring at her. A few look around in panic, some take out their camera phones, some just gasp. A couple come forward, trying in vain to free her from the chair.

Cut to opening titles.

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By the same Author
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Pancake Day: Scene 11: Blueberry Kill:

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The camera cuts to a dimly lit attic. Around it are a number of boxes and crates and old pieces of equipment. It looks well frequented, being mostly free of dust and cobwebs. In the background we hear the sound of some sort of gathering. The camera pans to the floor and closes in on a coffin shaped cage made of chain link fencing, the only hole being a circular opening above the female captives face. Lying on her back is a beautiful, tall blonde girl. Her hair is styled into a formal bun, and is decorated with a sparkling tiara. She wears a pink ball gown, that reveals a generous amount of cleavage, but has a long elegant skirt that reaches down to her ankles where she wears a pair of silver sequined high heels. Most notably she wears a sash across her body with the words “Carnival Queen” emblazoned on it. As she comes around she starts to struggle, but she is held in place by a number of leather straps around her chest, stomach and waist.

Porcelain: Hello Megan. It’s playtime.
Megan: What’s happening? Where am I?
Porcelain: It’s O.K, we’re going to have lots of fun together. Look your sitting on top of my Helter Skelta.

The camera shows around Megan’s feet, we se where she’s sitting on some sort of trapdoor, that’s set to swing down at her feet. We also see there is a set of what looks like bike pedals attached to some sort of device.

Porcelain: In a minute your going to be tipped down it. You’ll go whizzing all the way down, until you reach the really fun part at the bottom. Can you guess what fun I’ve got planned there?
Megan: What?
Porcelain: The exit comes out in the big ballroom, where tonights big carnival dance is taking place. In there I have a huge pool of my lovely thick pancake batter ready. So soon everyone at the dance will see all the fun you have covered in my lovely batter.
Megan: No please. Just let me out.
Porcelain: But Megan. You always loved attention. You always dress up nicely to make sure everyone looks at you. Always making sure your in the most popular clicks. Surely you don’t want to miss the opportunity of having the whole dance looking at you.
Megan: Don’t do this. I’ll do anything. I’ll give you money. I’ll have sex with you.
Porcelain: Oooo, tempting, but I’m afraid it’s not up to me if you go down or not. It’s up to you. Do you see those peddles at your feet? They’re attached to my little generator here. All you’ve got to do is build up the charge enough to activate the winch that will lift the cage up and away. Go on give it a go.

With obvious hesitation Megan puts her feet on the pedals and pedals at a moderate pace. The camera cuts to a close up of a dial, with the pointer on the far left, but as Megan pedals it starts to slowly move to the right, getting closer to a red area on the far right. The camera cuts back to Megan’s face. She is suddenly hit in the face with a pie. The thin pastry quickly crumbles, revealing her gasping face covered in a thick cream that has a slight blueberry purple tint. The camera cuts back to the dial, the pointer now moving slowly back to the left.

Porcelain: Oh you stopped peddling, now the charge is going back down. Did I forget to mention the generator is also hooked up to one of my other fun devices. How naughty of me.

The camera pans up to reveal a long conveyer belt ending a few feet above Megan’s face. On the conveyer belt is a long line of around twenty blueberry cream pies, the closest is already teetering on the edge, ready to tip over and land on Megan’s face.

Porcelain: Don’t worry. I’m sure you’ll have lots and lots of fun with my wonderful blueberry cream pies. I baked them especially for you, and soon everyone will see you splashing about in my big pool of thick, gooey pancake batter.

With that Porcelain turns over an hour glass and leaves.

Megan: No please. Come back.

Megan struggles in the leather straps some more, before with a look of reservation she puts her feet on the pedals. She closes her eyes and grimaces her face as she starts to pedal. Almost immediately another pie falls on her, spreading the blueberry cream even further across her head. The camera briefly cuts to the dial, that slowly starts to move to the left again. She continues to pedal as fast as she can as pies continue to fall on top of her. Soon her whole head and the upper part of her body is covered in a mountain of blueberry coloured cream. She stops peddling to lean up gasping, trying to shake some of the cream off her face. The camera cuts back to the dial, that’s at the halfway point, but heading back to the left. It then cuts to the hourglass where we see there’s not much sand left. Megan resumes peddling, leaning up slightly, resulting in the pies striking her forehead and cream splattering down her face and into her hair. The camera then cuts to the dial that’s now at the two thirds mark, and then the hour glass as the sand runs out.
Megan lets out a scream as the floor swings down at her feet and she slides down the newly revealed channel. As the camera tracks down with her we see two buckets above that tip over as she passes over, dumping a load of sticky treacle onto her pink dress and over her face.

The camera then cuts to a large school gym, that for this evening has been especially decorated with bunting and ribbons for the big carnival dance. A romantic rock ballad plays as couples of all ages in their dresses and suits slow dance under the sparkling light on the big dance floor.
Suddenly a loud siren blares out. There’s a look of panic amongst many of the guests as the camera tracks across the floor. The camera stops on a big silver curtain that slowly opens, revealing a large wooden tub, nine foot across, four foot deep, full of light brown pancake batter. We hear a scream of terror as the camera focuses on a large wooden chute, at the back of the tub. Megan comes into view, uncontrollably sliding down the chute, until she goes flying off the end, completely submerging as she splashes down into the batter. A few seconds later she emerges, a layer of batter completely covering her. She tries to stand up but the combination of the restraints, her heels and the slippery surface make standing difficult, so she ends up slipping over, and splashing into the batter a second time, and then a third. Only by awkwardly wading over to the side of the pool where someone can offer a hand is she able to stand up. The same helper then wipes the batter off her face, but all this does is expose the thick treacle layer, sticking on underneath.

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Next in the Series
By the same Author
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Pancake Day: Scene 18: The Crepes of Wrath:

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The camera suddenly cuts to show another girls strapped to a metal chair by her wrists and ankles. This time its a beautiful Japanese girl, wearing a pink and white summer dress, with a matching pair of high heeled white ankle boots. Her hair is long and dark black, with the end tips dyed a bright blue. As she wakes up she suddenly becomes aware something is wrong.

Porcelain: Hello Mika. Its playtime.
Mika: What? What happened? Why am I here?
Porcelain: Oh Mika, you were missing out on the fun. You remember the fun your best friends Clarity and Megan had yesterday.
Mika: You! You did that to them!
Porcelain: Oh I didnt do anything. They did that to herself. They could have played my game, and then got up and left, but instead they chose to be covered in batter in front of the whole carnival.
Mika: Your going to cover me in batter?
Porcelain: Three times in a row! Ive already had my fun there. For you Ive put on a real crepe show.

A light comes on revealing more of Mikas surroundings. Shes in a large carnival tent, with a large curtain in front of her. Directly in front of her is a small round table, with 6 cakes arranged at regular intervals. In the centre of the table are 6 plastic yellow ducks. The most notable thing though is on the floor, where 50 frying pans have been positioned. Each frying pan is attached to some sort of spring loaded catapult device, and is aimed at Mika. In each frying pan is a large crepe pancake, topped with a messy topping like whipped cream, or chocolate, strawberry or maple syrup.
The camera cuts to a close up of one of the catapults as it suddenly goes off. Flinging its contents in Mikas direction. The camera then cuts to Mika as she is hit by 5 crepes in rapid succession, leaving her face covered in red strawberry syrup, one sides of her head dripping with both chocolate and maple syrup and her cleavage coated in whipped cream.

Mika: How the hell did I end up here?
Porcelain: Well I was watching you during your study session with Jason Dudley. I had no idea he was studying human anatomy. From what I saw you showed him quite a bit.
Mika: You creep!
Porcelain: Oh thats not nice. Especially to someone whos been so nice to you. I realised you were missing the fun of the carnival so I knew I just had to bring you here. When you left Jasons I hit you in the face with one of my chlorofoam pies. While you were out I brought you here. Now you can have fun with all these pancakes.
Mika: Thats sick.
Porcelain: What? You don’t want everyone to see you playing with my pancakes? Well how about you play hook a muck instead.

An annoying repetitive tune starts to play. On the table in front of Mika everything starts to turn around slowly as if on a large turntable.

Porcelain: All you have to do is find the six brass rings and pull on them, to light up all six of the ducks. Do this and your prize is your freedom. I’d hurry up though. You’ve not got long before that curtain drops, and everyone sees you get covered in all those sticky, gooey pancake toppings.

With that Porcelain grabs an hour glass, turns it over and puts it on the centre of the table, before she leaves. The camera cuts to a close up of the cakes, tracking them as they slowly rotate on the turntable. They all use chocolate sponge, half with chocolate icing, the other half with pink. They consist of an inch of sponge, followed by an inch thick layer of thick cupcake icing, that is covered by a second sponge layer, that is topped with a final layer of thick icing topped with various sprinkles and sugar shapes.
As the camera focuses on one of the chocolate cakes Mika’s face comes into view as she sticks her face in, wriggling her face, trying to break up as much of the cake as she can. As the turntable turns the cake turns out of Mika’s reach. The camera then cuts to a shot of Mika in the chair. Her face now coated with a thick sticky layer of icing. She gives her head a quick shake before going for another cupcake as it comes into reach. We get another close up of her face as she sticks it into the next cake, this time with pink icing. Again she slowly plunges her face in, trying to break the cake up, but her progress is slowed by the thickness of the icing. As she lifts her head a second time we see her give a gasp of exasperation, her face and some of her hair not only covered in icing but pieces of sponge cake and the sugar strands.
The camera cuts as the pink cupcake rotates out of reach, but we see the first cake is coming back round. She plunges her head into it, forcing her head down. The camera cuts up to her mess covered mouth us she finds a brass ring sticking up. She grasps it between her teeth, and a brief there’s the sound of a brief claxon plays as one of the six ducks lights up. Spurred on by her success she quickly dives into the other broken up cake as it comes back around, and this time quickly finds the ring and pulls it lighting up a second duck.
The camera quickly cuts to the hour glass, showing about half her time has gone. It then cuts to her bracing herself before attacking the next cake. She turns her head on it’s side, and places her head on the far side of the cake. She pushes down in a diagonal direction, pushing much of the cake aside, coating one side of her head in chocolate icing and sponge. This takes some force, but it’s enough to reveal the ring, which she manages to grab hold of just before it turns out of reach, lighting up a third duck.
Next she turns her head on it’s other side and attacks the next cake. Again she has to administer a fare amount of force, coating the other side of her face in pink icing, but allowing her to find the fourth ring, lighting up the fourth duck. Just as she starts to attack the fifth cake the camera cuts to the hour glass, as the last sand runs out. A loud siren blares out.

The camera cuts to outside, where a large crowd stop to see what the source of the noise is. The camera tracks to a large blue curtain that drops, revealing a still bound and struggling Mika, her head covered in cupcake icing. It looks like some of the crowd are going to step in and help, but as the camera closes in on Mika the first catapult fires, throwing a pancake and a large mound of whipped cream at Mika. This is quickly followed by a second pancake topped with maple syrup striking Mika in the face. A third pancake topped with sticky strawberry syrup strikes the top of her head, leaving thick red syrup dripping down her hair. A fourth pancake hits her on the right shoulder, coating it with whipped cream, then a fifth a sixth strike the left and right side of her head coating her in whipped cream and blueberry syrup.
The camera zooms out as the barrage of pancakes continues. Over the next minute the relentless barrage of pancakes continues, until it finally ends, allowing some members of the crowd to step in. While some try to remove the bounds on Mikas wrists others remove the pancakes now clinging to Mikas face, revealing her mess covered face underneath.

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By the same Author
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Pancake Day: Scene 1: You’ll be Battered to Death:

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The screen starts black, then with a sudden whoosh the lights come on. The camera is focused on an attractive 20 something brunette, with saloon styled hair. Shes wearing an elegant navy blue dress, that still reveals enough flesh to be suggestive.
She is currently sitting in a solid looking steel, throne like chair. Heavy steel straps hold her arms to the arms of the chair and her ankles to the legs. The camera zooms out to reveal this is resting on some sort of fairground roundabout, but the wooden animals have been painted more vivid and demented colours than normal. As the girl in the chair looks around in panic an unknown voice speaks from off camera;

Porcelain: Hello Clarity. Its playtime.

The camera cuts to our villainess, Porcelain. The camera starts at her feet, on a pair of black, knee high go-go boots, with a seven inch stiletto platform heel. As the camera pans up it shows her opaque red tights, leading to a pair of tight black leather hot pants. Above that she is wearing a red and black hooded leather jacket. As the camera pans up she removes her hood to reveal her face. She has mid length black hair, tied into pigtails at the side. Her face is painted pure white, with delicate red lips pink rosy cheeks and perfectly shaped eye painted on, giving her a doll like appearance.
The camera cuts back to Clarity. Still struggling in the chair.

Clarity: You let me out right now. If you dont my Daddys going to sue you.
Porcelain: If your mums as slutty as you Clarity youll need to do a DNA test before that happens.
Clarity: Stop it! Let me out right now!
Porcelain: Oh Clarity your never any fun. Every year you take the baking completion so seriously. Youre always so determined to win everything you enter, even to the point that youll sabotage your competition, and your always extra nice to the judges, if you know what I mean.
Clarity: Last year I won fare and square.
Porcelain: And you never think of anything else. This is supposed to be a carnival Look I brought balloons. What fun.

Porcelain holds up 3 brightly coloured balloons in her left hand. Rather than being full of air though they appear to be full of a thick dark liquid. In her right hand she is holding a long knitting needle. She holds the balloons above a prone Clarity, and then bursts them, one after another. As she does this a thick light brown pancake batter bursts from the balloons and falls down onto Clarity, covering her hair and face in batter.

Clarity: When I get out of here Im going to kill you.
Porcelain: What you dont like my balloons? Thats such a shame, and I arranged for an extra special balloon for you up there.

As Clarity looks up the camera shots to a shot of a huge weather balloon, five foot across, trembling slightly due to all the liquid inside it, hanging from the ceiling.

Porcelain: Dont worry Clarity. Its not just balloons youll get to play with. You also get a go on my carrousel.

Suddenly a loud fairground organ starts playing. Lights light up, and Clarity starts to slowly move around on a large turntable. At the same time the weather balloon also moves, always swaying above Claritys head.

Clarity: What are you doing?
Porcelain: Dont worry Clarity. Soon everyone will see what fun your having.

The camera cuts to a wide red velvet curtain on one side of the turntable.

Porcelain: When you reach that curtain it will drop, and everyone at the fair will see the fun you have when the balloon bursts.
Clarity: Look the jokes over. Just let me go.
Porcelain: What? You still want out? Im afraid I cant let you out. Those straps are held in place by an electric circuit. You can only release it by completing the circuit. Now how would you do that?

The camera cuts to a large plastic funnel, located next to Clarity.

Porcelain: Oh, I know. You need to drop 5 metal ball bearings into that funnel to complete the electrical circuit. Now where could you find those.

The camera shows a shot of Clarity as a huge metal tub, 18 inches across, 6 inches deep swings from around the back of the chair, and in front of Clarity. The camera zooms into the tub to show it is filled with flour.

Clarity: How am I supposed to search in there?
Porcelain: Well if you cant use your hands youll have to use your teeth.
Clarity: You expect me to put my face in that.
Porcelain: What you dont want to play with me. Well if you really, really dont want to you dont have to. You could just stay there, and let everyone at the fair see you get completely covered in batter.
Clarity: What kind of choice is that?
Porcelain: One youd better hurry up and make. As for me, I cant waste time talking to you all day. Ive got lots of other fun games planned for the rest of your friends.

With that Porcelain walks out leaving Clarity on her own as the music plays, and she slowly gets closer to the curtains. She pulls on the restraints one last time, before with a grunt of annoyance she sticks her face in the flour.
The camera remains in close up on Clarity for the next 30 seconds, as she digs deeper and deeper, until her head is almost completely sunk into the flour. She raises her head taking a deep breath, revealing the combination of the batter and the flour has left her face and hair covered in a thick sticky mess.
The camera cuts to the deep hole Clarity has dug in the flour. You can just about see one of the ball bearings sticking out from the flour. Clarity digs her face deep into the flour, and just about reaches with her lips to grab the ball. The camera cuts to a long shot of Clarity as she drops the first ball into the funnel. You see Clarity getting close to the curtain. The camera zooms in to Claritys face, now completely covered in flour. She plunges her face into the flour again, this time frantically searching, displacing large amounts of flour over the side of the tub in her haste. She raises her head with another ball bearing in her mouth, that she drops into the funnel. As she does this you see shes almost at the curtain.

The camera cuts to outside. A lively carnival is taking place. Large numbers of people are gathered around, watching and playing the games. Suddenly a loud siren blares above the sound of the crowd, and a bright spotlight shines on a red curtain. The whole crowd is focused on it as it drops and reveals a still bound, bedraggled looking Clarity. We hear her scream above the crowd as the camera pans in;

Clarity: No! No! No!

Its in vain though. A loud pop is heard as the giant weather balloon bursts, raining thick, sticky white batter down on her, instantly leaving her completely covered in batter. The camera focuses on her as the batter drips off her. She raises her head and opens her eyes, looking out in shock. The camera cuts to see what she sees, a huge crowd of people staring at her. A few look around in panic, some take out their camera phones, some just gasp. A couple come forward, trying in vain to free her from the chair.

Cut to opening titles.
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Next in the Series
By the same Author
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Pancake Day: Scene 11: Blueberry Kill:

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The camera cuts to a dimly lit attic. Around it are a number of boxes and crates and old pieces of equipment. It looks well frequented, being mostly free of dust and cobwebs. In the background we hear the sound of some sort of gathering. The camera pans to the floor and closes in on a coffin shaped cage made of chain link fencing, the only hole being a circular opening above the female captives face. Lying on her back is a beautiful, tall blonde girl. Her hair is styled into a formal bun, and is decorated with a sparkling tiara. She wears a pink ball gown, that reveals a generous amount of cleavage, but has a long elegant skirt that reaches down to her ankles where she wears a pair of silver sequined high heels. Most notably she wears a sash across her body with the words “Carnival Queen” emblazoned on it. As she comes around she starts to struggle, but she is held in place by a number of leather straps around her chest, stomach and waist.

Porcelain: Hello Megan. It’s playtime.
Megan: What’s happening? Where am I?
Porcelain: It’s O.K, we’re going to have lots of fun together. Look your sitting on top of my Helter Skelta.

The camera shows around Megan’s feet, we se where she’s sitting on some sort of trapdoor, that’s set to swing down at her feet. We also see there is a set of what looks like bike pedals attached to some sort of device.

Porcelain: In a minute your going to be tipped down it. You’ll go whizzing all the way down, until you reach the really fun part at the bottom. Can you guess what fun I’ve got planned there?
Megan: What?
Porcelain: The exit comes out in the big ballroom, where tonights big carnival dance is taking place. In there I have a huge pool of my lovely thick pancake batter ready. So soon everyone at the dance will see all the fun you have covered in my lovely batter.
Megan: No please. Just let me out.
Porcelain: But Megan. You always loved attention. You always dress up nicely to make sure everyone looks at you. Always making sure your in the most popular clicks. Surely you don’t want to miss the opportunity of having the whole dance looking at you.
Megan: Don’t do this. I’ll do anything. I’ll give you money. I’ll have sex with you.
Porcelain: Oooo, tempting, but I’m afraid it’s not up to me if you go down or not. It’s up to you. Do you see those peddles at your feet? They’re attached to my little generator here. All you’ve got to do is build up the charge enough to activate the winch that will lift the cage up and away. Go on give it a go.

With obvious hesitation Megan puts her feet on the pedals and pedals at a moderate pace. The camera cuts to a close up of a dial, with the pointer on the far left, but as Megan pedals it starts to slowly move to the right, getting closer to a red area on the far right. The camera cuts back to Megan’s face. She is suddenly hit in the face with a pie. The thin pastry quickly crumbles, revealing her gasping face covered in a thick cream that has a slight blueberry purple tint. The camera cuts back to the dial, the pointer now moving slowly back to the left.

Porcelain: Oh you stopped peddling, now the charge is going back down. Did I forget to mention the generator is also hooked up to one of my other fun devices. How naughty of me.

The camera pans up to reveal a long conveyer belt ending a few feet above Megan’s face. On the conveyer belt is a long line of around twenty blueberry cream pies, the closest is already teetering on the edge, ready to tip over and land on Megan’s face.

Porcelain: Don’t worry. I’m sure you’ll have lots and lots of fun with my wonderful blueberry cream pies. I baked them especially for you, and soon everyone will see you splashing about in my big pool of thick, gooey pancake batter.

With that Porcelain turns over an hour glass and leaves.

Megan: No please. Come back.

Megan struggles in the leather straps some more, before with a look of reservation she puts her feet on the pedals. She closes her eyes and grimaces her face as she starts to pedal. Almost immediately another pie falls on her, spreading the blueberry cream even further across her head. The camera briefly cuts to the dial, that slowly starts to move to the left again. She continues to pedal as fast as she can as pies continue to fall on top of her. Soon her whole head and the upper part of her body is covered in a mountain of blueberry coloured cream. She stops peddling to lean up gasping, trying to shake some of the cream off her face. The camera cuts back to the dial, that’s at the halfway point, but heading back to the left. It then cuts to the hourglass where we see there’s not much sand left. Megan resumes peddling, leaning up slightly, resulting in the pies striking her forehead and cream splattering down her face and into her hair. The camera then cuts to the dial that’s now at the two thirds mark, and then the hour glass as the sand runs out.
Megan lets out a scream as the floor swings down at her feet and she slides down the newly revealed channel. As the camera tracks down with her we see two buckets above that tip over as she passes over, dumping a load of sticky treacle onto her pink dress and over her face.

The camera then cuts to a large school gym, that for this evening has been especially decorated with bunting and ribbons for the big carnival dance. A romantic rock ballad plays as couples of all ages in their dresses and suits slow dance under the sparkling light on the big dance floor.
Suddenly a loud siren blares out. There’s a look of panic amongst many of the guests as the camera tracks across the floor. The camera stops on a big silver curtain that slowly opens, revealing a large wooden tub, nine foot across, four foot deep, full of light brown pancake batter. We hear a scream of terror as the camera focuses on a large wooden chute, at the back of the tub. Megan comes into view, uncontrollably sliding down the chute, until she goes flying off the end, completely submerging as she splashes down into the batter. A few seconds later she emerges, a layer of batter completely covering her. She tries to stand up but the combination of the restraints, her heels and the slippery surface make standing difficult, so she ends up slipping over, and splashing into the batter a second time, and then a third. Only by awkwardly wading over to the side of the pool where someone can offer a hand is she able to stand up. The same helper then wipes the batter off her face, but all this does is expose the thick treacle layer, sticking on underneath.

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Next in the Series
By the same Author
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Pancake Day: Scene 18: The Crepes of Wrath:

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The camera suddenly cuts to show another girls strapped to a metal chair by her wrists and ankles. This time its a beautiful Japanese girl, wearing a pink and white summer dress, with a matching pair of high heeled white ankle boots. Her hair is long and dark black, with the end tips dyed a bright blue. As she wakes up she suddenly becomes aware something is wrong.

Porcelain: Hello Mika. Its playtime.
Mika: What? What happened? Why am I here?
Porcelain: Oh Mika, you were missing out on the fun. You remember the fun your best friends Clarity and Megan had yesterday.
Mika: You! You did that to them!
Porcelain: Oh I didnt do anything. They did that to herself. They could have played my game, and then got up and left, but instead they chose to be covered in batter in front of the whole carnival.
Mika: Your going to cover me in batter?
Porcelain: Three times in a row! Ive already had my fun there. For you Ive put on a real crepe show.

A light comes on revealing more of Mikas surroundings. Shes in a large carnival tent, with a large curtain in front of her. Directly in front of her is a small round table, with 6 cakes arranged at regular intervals. In the centre of the table are 6 plastic yellow ducks. The most notable thing though is on the floor, where 50 frying pans have been positioned. Each frying pan is attached to some sort of spring loaded catapult device, and is aimed at Mika. In each frying pan is a large crepe pancake, topped with a messy topping like whipped cream, or chocolate, strawberry or maple syrup.
The camera cuts to a close up of one of the catapults as it suddenly goes off. Flinging its contents in Mikas direction. The camera then cuts to Mika as she is hit by 5 crepes in rapid succession, leaving her face covered in red strawberry syrup, one sides of her head dripping with both chocolate and maple syrup and her cleavage coated in whipped cream.

Mika: How the hell did I end up here?
Porcelain: Well I was watching you during your study session with Jason Dudley. I had no idea he was studying human anatomy. From what I saw you showed him quite a bit.
Mika: You creep!
Porcelain: Oh thats not nice. Especially to someone whos been so nice to you. I realised you were missing the fun of the carnival so I knew I just had to bring you here. When you left Jasons I hit you in the face with one of my chlorofoam pies. While you were out I brought you here. Now you can have fun with all these pancakes.
Mika: Thats sick.
Porcelain: What? You don’t want everyone to see you playing with my pancakes? Well how about you play hook a muck instead.

An annoying repetitive tune starts to play. On the table in front of Mika everything starts to turn around slowly as if on a large turntable.

Porcelain: All you have to do is find the six brass rings and pull on them, to light up all six of the ducks. Do this and your prize is your freedom. I’d hurry up though. You’ve not got long before that curtain drops, and everyone sees you get covered in all those sticky, gooey pancake toppings.

With that Porcelain grabs an hour glass, turns it over and puts it on the centre of the table, before she leaves. The camera cuts to a close up of the cakes, tracking them as they slowly rotate on the turntable. They all use chocolate sponge, half with chocolate icing, the other half with pink. They consist of an inch of sponge, followed by an inch thick layer of thick cupcake icing, that is covered by a second sponge layer, that is topped with a final layer of thick icing topped with various sprinkles and sugar shapes.
As the camera focuses on one of the chocolate cakes Mika’s face comes into view as she sticks her face in, wriggling her face, trying to break up as much of the cake as she can. As the turntable turns the cake turns out of Mika’s reach. The camera then cuts to a shot of Mika in the chair. Her face now coated with a thick sticky layer of icing. She gives her head a quick shake before going for another cupcake as it comes into reach. We get another close up of her face as she sticks it into the next cake, this time with pink icing. Again she slowly plunges her face in, trying to break the cake up, but her progress is slowed by the thickness of the icing. As she lifts her head a second time we see her give a gasp of exasperation, her face and some of her hair not only covered in icing but pieces of sponge cake and the sugar strands.
The camera cuts as the pink cupcake rotates out of reach, but we see the first cake is coming back round. She plunges her head into it, forcing her head down. The camera cuts up to her mess covered mouth us she finds a brass ring sticking up. She grasps it between her teeth, and a brief there’s the sound of a brief claxon plays as one of the six ducks lights up. Spurred on by her success she quickly dives into the other broken up cake as it comes back around, and this time quickly finds the ring and pulls it lighting up a second duck.
The camera quickly cuts to the hour glass, showing about half her time has gone. It then cuts to her bracing herself before attacking the next cake. She turns her head on it’s side, and places her head on the far side of the cake. She pushes down in a diagonal direction, pushing much of the cake aside, coating one side of her head in chocolate icing and sponge. This takes some force, but it’s enough to reveal the ring, which she manages to grab hold of just before it turns out of reach, lighting up a third duck.
Next she turns her head on it’s other side and attacks the next cake. Again she has to administer a fare amount of force, coating the other side of her face in pink icing, but allowing her to find the fourth ring, lighting up the fourth duck. Just as she starts to attack the fifth cake the camera cuts to the hour glass, as the last sand runs out. A loud siren blares out.

The camera cuts to outside, where a large crowd stop to see what the source of the noise is. The camera tracks to a large blue curtain that drops, revealing a still bound and struggling Mika, her head covered in cupcake icing. It looks like some of the crowd are going to step in and help, but as the camera closes in on Mika the first catapult fires, throwing a pancake and a large mound of whipped cream at Mika. This is quickly followed by a second pancake topped with maple syrup striking Mika in the face. A third pancake topped with sticky strawberry syrup strikes the top of her head, leaving thick red syrup dripping down her hair. A fourth pancake hits her on the right shoulder, coating it with whipped cream, then a fifth a sixth strike the left and right side of her head coating her in whipped cream and blueberry syrup.
The camera zooms out as the barrage of pancakes continues. Over the next minute the relentless barrage of pancakes continues, until it finally ends, allowing some members of the crowd to step in. While some try to remove the bounds on Mikas wrists others remove the pancakes now clinging to Mikas face, revealing her mess covered face underneath.

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Next in the Series
By the same Author
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Pancake Day: Scene 26: You‘ll Totally Flip:

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The camera cuts to Christabel lying sleeping on the floor. She wears a black t-shirt, and a leather miniskirt. She has long black hair, and is wearing dark red lipstick and heavy dark purple eye shadow. Finishing the outfit is a pair of black mid heel boots. As the camera pans up we see her right wrist has a secure looking metal shackle around it, that is chained to a large steel ring that is secured around another heavy looking chain. As she stirs a large splash of chocolate sauce suddenly hits her in the face. She suddenly opens her eyes in shock, her face dripping with chocolate syrup. She looks at her shackled wrist in shock.
The camera cuts to show Porcelain holding a large bucket, now almost empty.

Porcelain: Wake up sleepy head.
Christabel: You! What are you doing. The cops are looking everywhere for you.
Porcelain: Those nasty spoilsports. Dont worry. Theyre all searching around the ghost house where I left one of my chairs. They dont realise Im bored playing with them.
Christabel: They’ll get you eventually.
Porcelain: I wouldn’t worry about them. They’re not going to spoil our little play date. Look where we are.

The camera pans round to reveal a large pool of partially melted ice-cream. There are a number of rapid camera cuts to reveal a large twisted structure made from scaffold poles. On various parts we see wooden panels screwed on. Painted on the panels are pictures of demented looking clowns. We also see the chain Christabel is shackled to running through the frame in a long and twisted route.

Porcelain: So Christabel. Do you like my climbing frame? Playing on it’s going to be so much fun.
Christabel: Look Helen, I’m sorry about what happened.
Porcelain: My name’s not Helen. It’s Princess Porcelain.
Christabel: Porcelain. I didn’t expect things to end like they did. I just thought they were going to sabotage your entry into the baking competition. If I’d known you’d end up humiliated in front of the whole carnival like that I would have stopped it.
Porcelain: Well you didn’t stop it did you. All of you were always so horrible to me. You were all just jealous because I was smarter, prettier and baked better cakes than all of you. That’s why you all cast me aside and never played with me.
Christabel: I didn’t know that’s how you felt.
Porcelain: Well now I’m going to find you all and make you play with me. Your going to play in my climbing frame Christabel. Otherwise do you know what will happen?
Christabel: What?
Porcelain: If your still in here when your time runs out that curtain’s going to swing open, and the sprinklers up on the ceiling will activate. They won’t sprinkle water though, but lots of thick sticky chocolate syrup, which everyone here will see you get covered in. Won’t that be fun.
Christabel: You monster!

Christabel lunges herself at Porcelain, but Porcelain simply steps back where she’s out of reach of a still shackled Christabel. Porcelain laughs manically as she turns over an hourglass and walks away.

Porcelain: It’s playtime.

Christabel tries pulling hard on both the chain and her shackle, but neither gives way. She lets out a grunt of annoyance before looking towards the pool. She moves the shackle along the chain until she’s at the edge of the pool where she hesitantly steps in. She inhales sharply in response to the cold temperature of the ice-cream that comes up to her knees. She takes the chain in her left hand and moves along it until she reaches the first obstacle. The camera cuts to a low shot looking up of a number of large metal hoops sticking out from the melted ice-cream. We see Christabel crawling towards the camera on all fours.
The camera cuts to behind Christabel as she reaches a tower like structure. It’s square, with four poles, with rungs between the poles which the chain weaves in and out of. Christabel has to crouch down, her chin dipping into the ice-cream, to duck under the first rung. The camera briefly cuts to the hour glass, where 40 percent of the sand has gone. We cut back to Christabel enclosed in the tower, her boots slipping on the first rung. Cursing she unzips her boots before pulling them and her socks off, before gingerly climbing the tower, having to climb through the gap between the rungs several times to keep following the route of the chain. At the top we see her glance over to the hour glass, and she decides to jump down from the tower. She lands in the ice-cream with a splash, falling backwards as she lands, completely submerging herself in the ice-cream. The camera cuts to a close up of her face, as she emerges gasping with shock, her face and hair dripping with cold ice-cream.
The camera makes a number of rapid cuts between the hourglass and Christabel as she negotiates several more obstacles, until we see the sand has almost run out, but Christabel is making her way towards the door, until she’s forced to stop as her shackled hand dips under the ice-cream. The camera cuts to a close up showing the top of a narrow metal hoop, the top barely sticking out the ice-cream. To get through Christabel will have to completely submerge herself under the ice-cream. The camera cuts to the hourglass, with nearly all the sand gone, before cutting back to Christabel. She crouches down, takes a deep breath and sticks her head under the ice-cream. It’s ten seconds later before she remerges from the ice-cream, completely covered and gasping for air. She gets up and surges forward as quickly as she can, but once again she’s forced to stop a few feet from the exit. The camera cuts to a pole sticking just out the ice-cream that the end of the chain is welded too. Christabel pulls on the chain, trying to loosen as much slack in the chain as she can. The camera cuts several times to show how much of the chains slack is still caught up in the frame, and won’t come by simply pulling on the chain, before cutting to a shot of all the sand running out the hourglass.

The camera cuts to a large pagoda like tent, in it are a large crowd, and tables with a large array of cakes, deserts and other creations on them, as the camera pans it passes a group of 4 people, two holding a clipboard. They appear to be discussing which cake to award the first place ribbon too. Suddenly a loud siren blasts out. Everyone’s attention becomes focused on the corner of the tent where a curtain drops, revealing Christabel, on her knees, still desperately pulling on the chain. Suddenly the sprinkler system set up above the pool of ice-cream activates, dousing the whole area heavily in thick chocolate syrup. After about 40 seconds the deluge subsides, and the camera zooms in to Christabel, now sitting dejected in the ice-cream, her hair, face and every other part we can see now covered in a thick chocolate layer.

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Next in the Series
By the same Author
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Pancake Day: Scene 31: Assault and Batter Me:

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The camera cuts to a large hayloft. In it we see two cylinder shaped cages. The bottom half being made of a blue plastic barrel, the top half and roof are made out of chain link fencing. Near the top, running between the two cages appears to be a long length of black plastic guttering, hanging from a pivot in the centre. At either end it sticks into a slit in each cage where there is a handle that can be used to tilt the guttering up and down.
We see two people stir in the cages. One, Launa, is a slim, short brunette and wears a pair of white denim hot pants, a pink top, cut low enough to allow the edge of her black bra to be seen. She has large hooped earrings and heavy make-up. The other, Sandy, is taller and of a more chubby build, with long brunette hair coming down to her waist. She wears a white t-shirt with a picture of a rock star on it and dark blue jeans.

Launa: What the fuck is happening?
Porcelain: Hello Launa. Hello Sandy. It’s playtime.
Launa: You! Your that psycho that was on the news.
Porcelain: Oh, don’t pretend you don’t know me. It was you two that helped make me who I am today. Sure it was Clarity and Mika’s little sorority that wanted to sabotage my entry into the baking competition, but it was you they paid to do such a naughty thing.
Launa: You can’t prove anything you bitch.
Porcelain: Oh Launa. For someone who revels in challenging those in authority your pretty happy to use the system to protect yourself when it suits you. Sure the police can’t prove anything, but anyone who listens to the gossip knows it was you. If only you’d owned up, you’d currently be getting the same protection Elysia is getting. Don’t worry though. Those spoilsport policemen can’t stop me from playing with her forever. For now though it looks like I’ve got you two to play with.
Launa: When I get out of here I’m going to beat the shit out of you.
Porcelain: Really? The last four people I played with are now too ashamed to ever show their face in this town again. I’ve taught them to be nice in future, now it’s your turn.
Sandy: Helen please. Just let us go.
Porcelain: Helen’s gone Sandy. It’s Princess Porcelain now. Just like how the old you has gone. Remember when you and Helen used to play together, then you started hanging out with this nasty girl, who made you do all sorts of nasty things. I always wondered are you really such a naughty girl, or are you just too lazy to stand up for yourself. Well soon we’re going to find out.
Sandy: Come on Porcelain. We can all be friends again.
Porcelain: We’re all friends. That’s why I brought you here to play with my see-saw.

The camera cuts to show the black plastic guttering hanging from the ceiling, in the centre we see a pipe that opens out in to the centre of it.

Porcelain: In a minute lots of my lovely pancake batter is going to pump down it and onto you two. Of course it’s up to you two how you tip the see-saw.
Launa: Is that supposed to scare us?
Porcelain: Of course not. This is supposed to be fun. That’s not the only fun thing I have for you though, look at the floor.

The camera cuts to the floor, where there is an obvious slight gap going across it, set up to open like a trapdoor. The camera keeps focused on it as Porcelain continues.

Porcelain: That trapdoor your standing on. If you put too much weight on it, like the weight from all that batter for instance, it will open up, and you’ll get to play on my giant slide. Won’t that be fun. I’d be careful about the landing though.
Sandy: Why?
Porcelain: Because at the bottom is a giant pool of stinky, icky mess, that everyone in the barn below will see you go splashing right in to. Then they’ll see you wallowing in all that mess.
Launa: You are fucking dead.
Porcelain: I’m afraid shouting or violence isn’t going to get you out this predicament Launa. Have fun.

As Porcelain leaves the camera cuts back to the pipes outlet, that starts to pump a heavy torrent of the thick pancake batter. The camera cuts to Launa, who almost immediately grabs the handle to tip the see-saw down in Sandy’s direction. The camera cuts to Sandy who is hit by a large amount of batter, soaking her hair and t-shirt. She holds up her hands to protect herself as she looks up, and grabs the handle herself, raising it so it’s horizontal again, resulting in both her and Launa being hit by the flow of batter. Shes forced to hold on to in order to avoid it going down again.

Sandy: Come on Launa. Maybe we can get out of this.
Launa: No you let go Sandy. You still want us to be friends don’t you.
Sandy: I don’t want everyone to see me covered in gunk. Maybe we can avoid the trapdoor opening until the batter runs out. We could divert the flow outside the cage.
Launa: No, one of us has to go down the slide, and if you don’t do it Sandy I won’t be your friend anymore. Ill hate you forever.
Sandy: Really:
Launa: Go on. Let go.

The camera cuts to the underside of Sandy’s trapdoor as it creaks slightly. The gap opening up slightly due to the weight. The camera cuts to Sandy as she readjusts her stance, spreading her legs wide to reduce the weight on the centre of the trapdoor.

Sandy: Launa please. My doors about to go.
Launa: Let it, otherwise Im going to hate you.

There’s a few seconds pause, then Sandy thrusts the handle of the see-saw as far up as she can reach it, tipping the see-saw down in Launa’s direction, causing all the batter to fall down on her.

Launa: What are you doing?
Sandy: Fuck you Launa. You were never a true friend. You always get me into trouble. You never cared about me. You just wanted someone you could tell what to do. Well this time I’m not listening.
Launa: Sandy! Stop it!

The camera zooms in on Launa as she desperately tries to stop the batter. She tries pushing the handle up, but her shorter height means she can’t raise it high enough. She then desperately starts grabbing handfuls of batter and throwing them outside the cage, but she can’t empty it faster than the flow of batter coming in. After about 30 seconds Launa suddenly drops from view. The camera quickly tracks over to look down the now open trapdoor which she has down disappeared.

The camera cuts to the inside of a large barn. Inside are set up a collection of animal pens, each housing a different species of farm animal. A large number of families and groups are walking around viewing the various unusual species. Suddenly a loud siren goes off as a curtain on the far side of the barn slides open, revealing a large circular pool full of wet mud mixed in with a large number of eggs. Straw and egg shells still float on the surface. We see members of the crowd look on in shock. A uniformed police officer rushes to the edge of the pool, urgently talking on his walkie talkie. The camera zooms on in a large black plastic tube, the exit of which is at the far edge of the pool. We hear a loud scream, and Launa and a large amount of batter comes flying out the tube. Launa splashes into the pool of eggs and mud, being completely submerged on landing. It’s a few seconds before she is able to stand, revealing her hair, head and upper body completely covered in the egg and mud mixture. She gasps and wipes her eyes, when we her a sudden whoosh. From the ceiling descends a large cloud of chicken feathers that fall down and thickly coat both the surface of the pool and Launa, leaving her flailing in the pool completely covered in mess.

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By the same Author
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Pancake Day: Scene 37: It was Panned by the Critics

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WARNING: There is a brief mention of manure in this scene. It’s only used for a short section, so I don’t think it should be a problem for most readers, but if a small mention of it will upset you this is your warning.


The camera cuts to a scene of a woman struggling in a small enclosed room, barely three foot square. We see that three of the walls are made from old rusty metal, the fourth is made from some sort of thick plastic, that by the looks of it used to be clear, but is now to scratched and dirty to see out of, but it still lets some light through.
The camera focuses on, the woman. Her hands are securely handcuffed behind her back. She’s wearing a red, knee length summer dress decorated with white polka dots. The love of red continues with a pair of red designer trainers, and her hair that is dyed a vibrant flame red, with 2 pigtail plats on either side of her head. She wears dark lipstick, which is of course red, along with dark eye shadow. The camera then cuts to a shot from the top of the room, where we look down on her as we hear a familiar voice call out:

Porcelain: Hello Elysia. It’s playtime.
Elysia: You!
Porcelain: How do you like my little gunge tank?
Elysia: Let me go you monster.
Porcelain: Why would I do that after I went to so much trouble? Those spoilsport police really tried to stop us playing. They searched the carnival and closed down all my play rooms there. They arrested Dwayne and Gary, and all they did was help me make my play equipment.
Elysia: Those creeps.
Porcelain: That’s not nice! Maybe if you lot had been nicer to them they wouldn’t have been so eager to help a pretty little damsel in distress like me. Don’t worry though. I was still able to distract all those spoilsport police, so I could bring you to my little palace to play. Let’s give my gunge tank a go.

Elysia lets out a scream as a deluge of batter drops on her from somewhere off screen. As the deluge subsides we see the batter now clinging to much of her body, including her hair and the back off her dress. She looks back up, her face still clean, but all her hair around it is completely soaked. Unable to wipe herself off while handcuffed she tries to shake off some of the mess.

Porcelain: Now wasn’t that fun? Aren’t you glad you came? Oh, but where are my manners? Let me let you out so we can talk face to face.

We see the plastic wall of the gunge tank slide to one side. We see Elysia hesitantly look through the door.

Porcelain: Come on. Unless you want to play in the gunge tank some more.

The camera cuts to another overhead shot of the next room. It’s about sixty foot square. Attached to one of the walls is an old diving board. We see Elysia step out onto it, and the door slide shut behind her. As the camera zooms down we see she is located 12 foot over a large pool of horse manure, that covers the entire floor of the room. The depth is uncertain, but it looks deep.
The camera cuts again to behind Elysia’s shoulder. Looking over it we see a doorway at the end of the diving board. It is currently blocked by a barrier made of metal bars. On the other side of it we see Porcelain with a joyful expression on her face. Elysia rushes forward towards her. As she does thick red strawberry syrup suddenly sprays out from a pair of nozzles, located either side of the doorway. The syrup sprays high into the air, covering Elysia from head to toe, leaving her gasping as she blinks her eyes open.

Porcelain: You be careful.
Elysia: You bitch.
Porcelain: Such language! Be careful there might be kids watching.

The camera zooms in to a web-cam set up on the wall, pointing towards where Elysia is located in the middle of the room.

Elysia: Who’s watching?
Porcelain: Oh everyones watching Elysia. This is being transmitted live online, so the whole world can see all the fun your having.
Elysia: Porcelain, please. Something is clearly wrong. You need professional help. Just let me go, then we can take you somewhere where you can get the help you need.
Porcelain: I’m doing nothing wrong. All I want is for people to play with me. I’ve gone to so much trouble so you can play in my little swimming pool. Why don’t you dive in?
Elysia: No!
Porcelain: It doesn’t matter. In a few minutes the diving board your on is going to slide back into the wall, and you’ll go plunging down, then the whole world will see you plunging into my big pool of stinky horse manure. Then my revenge will finally be complete, and no-one will dare to ever refuse to play with me ever again. Ha-Ha!
Elysia: You don’t have to do that. Go on, open the door and we can play together.
Porcelain: Really?
Elysia: Yes really.
Porcelain: Your lying! You just want to avoid playing my game.
Elysia: No, that’s not it.
Porcelain: Then you won’t mind playing then. If you want the door to open all you have to fill up the chalice next to the door there with liquid.

The camera cuts to a bracket next to the door, where a large glass chalice is attached to the wall, then cuts back to Porcelain’s grinning face.

Porcelain: Don’t worry I’ve provided plenty of liquid for you to use.

The camera cuts back to Elysia as another torrent of strawberry syrup sprays high into the air, covering her once again.

Porcelain: Oh, I forgot, your handcuffed. Not for the first time I bet. Well you’ll just have to put that big mouth of yours to good use.

Porcelain then turns over an hourglass and walks away.

Elysia: Porcelain no!

Another barrage of syrup sprays into the air. Elysia opens her mouth, trying to catch as much as she can. She then closes her mouth and cautiously makes her way forward, her footing unsteady due to both the syrup and the instability of the diving board. She reaches the chalice and spits out a large mouthful of syrup. She then has to edge her way slowly backwards, and waits for another spray of syrup. Shaking the syrup out her eyes she makes her way forward again to spit out another mouthful of syrup. At this point she glances out the doorway. The camera cuts to the hourglass, already a third of the sand has gone. The camera cuts to the chalice that is barely 20 percent full.
The camera cuts to Elysia’s syrup covered face, a look of realisation comes across it. This time she edges further back along the board, to where it’s less slippery and more stable. She crouches down and steps back over the handcuffs, bringing her hands in front of her. She goes back to the syrup, this time catching a large pool in her hands as well as in her mouth. She edges towards the chalice and deposits both the syrup in her hands and mouth into it. A few quick camera cuts show the chalice is now about three quarters full, but only 20 percent of the sand is left. Elysia steps back yet again, and after an agonising delay another torrent of syrup sprays up. Barely pausing Elysia walks forward as fast as she dares with another handful of syrup. Just as the she reaches the edge of the board the camera cuts to the hourglass. A siren blares out as it runs out of sand. We cut back to an overhead shot as the diving board starts to steadily retract into the wall, moving Elysia further away from the door. She desperately reaches out, and is just able to get her hands over the chalice and drop the last syrup into it, filling it to the brim. A bell is heard ringing out as the bars on the door start to slowly rise, portcullis style into the air, creating a gap at the bottom. We see Elysia is now about six foot from the door as she crouches down and dives at it head first. She barely makes it, her torso diving through the door, leaving her madly scrambling to climb up further, until she gets her legs through the door as well.

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Next in the Series
By the same Author
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Pancake Day: Scene 42: Playtime is over:

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This is the final scene of my Pancake Day series. Thanks to everyone who’s taken the time to read it, and give me feedback, and Happy Halloween.


The camera cuts to a scene in an old abandoned cake factory. Around the room are various strange pieces of machinery, many rusted beyond repair, but notably a few look like they’ve seen recent use. It’s dimly lit, with many of the bulbs being burnt out or flickering.
Suddenly Porcelain runs into shot. As the camera tracks her we see she’s not presented as immaculately as she usually is. Her face paint and make up is smeared, there’s a rip in one of her tights, and several splashes of various messy substances can be seen on her clothing. As she reaches a doorway she stops, and grabs one of her chlorofoam pies located on a table there, and turns around.

Porcelain: STOP IT! This isn’t playtime. This is sleepy time!!

Porcelain throws her chlorofoam pie with a lot of force. For the next few seconds the camera follows the pie as it flies threw the air, until it is suddenly knocked out the air by someone swinging a frying pan. The camera pans out to show the holder of the frying pan, Elysia. She is looking much the worse for wear, coated not just in the batter and strawberry syrup from her game, but also eggs, flour and splashes of chocolate she’s been hit with during her fight with Porcelain. The handcuffs are still on her wrists, but the chain linking them has been broken. Most notably a number of lumps of white chlorafoam can be seen on her, but crucially none is on her face, meaning so far she has avoided the chlorafoams sleep enducing effects.

Elysia: I’m done playing games Porcelain. Just give it up.
Porcelain: No! Not until you play fairly! You used you hands! That’s cheating!

Porcelain then turns away, ducking through a curtain covering the door she’s standing in front of. As Elysia charges through after her the camera briefly pauses on a sign saying Porcelain’s Throne Room.

The camera cuts to Elysia entering the room, then turns around to see what she see’s. We see a large room, on the far wall is a short set of steps leading up to a golden throne. There is a small pedestal like table next to the throne. On the steps we see a varied collection of dolls and soft toys, many have a body part missing, or have been torn open, exposing their stuffing. As the camera pans around the room we spot six large pools of various messy substances, pancake batter, chocolate and banana custard, blueberry, strawberry and maple syrup. We also see a counter with cupboards an oven and hob set up on it, and various kitchen implements hanging up behind it. Finally the camera settles on a large desk, with lots of pieces of paper on them, with schematics and ideas for Porcelains games drawn on in colourful felt tip.

The camera pulls back to a final overview of the room, when suddenly, with a loud scream Porcelain bursts into shot. The camera cuts to where we can see Porcelain tackling Elysia. Elysia falls over, and falls down face first. She lands in a giant chlorafoam pie, the crust being a four foot diameter inflatable black paddling pool, the foam is piled twelve inches high. After the impact Porcelain stands up and dusts herself off.

Porcelain: Finally.

With Elysia lying motionless in the pie Porcelain climbs the steps up to her throne. She reclines on it sideways, her back resting on one armrest, her legs draped over the other, with her 7 inch stilletto heels dangling in the air. She reaches over to the pedestal, taking a hand mirror in her left hand and a small sponge applicator for her face paint in her right, which she uses to tidy up her smeared face paint.

Porcelain: Look at the mess you made. How am I supposed to be the perfect princess with you causing so much trouble. Well never mind, it doesn’t look like your going anywhere for a while, except maybe back in my gunge tank. This time I’ll secure your hands properly to make sure you play fair. Then the whole world can watch you play with me one last time.

With one last check of her face paint Porcelain stands back up and makes her way back down the steps towards Elysia. She crouches down and takes a handful of dress around Elysia’s shoulders to drag her up. As she does the camera cuts to Elysia’s face, which miraculously is still clean. The camera cuts again to where Elysia’s face was in the pie. We see the frying pan there which Elysia was able to use to protect her face and avoid the effects of the chlorafoam. Before Porcelain can see this Elysia grabs the frying pan and swings the frying pan hard into Porcelain’s side. The blow catches Porcelain off balance, causing her to stumble and let go of Elysia. Elysia scoops the frying pan through the giant chlorafoam pie, filling the pan with the foam. With a mighty grunt she lunges at the stunned Porcelain, swinging the contents of the pan at her face, and connecting with a mighty blow. The camera cuts to Porcelain’s face, now completely masked in a layer of thick white foam. We see Porcelain blindly stumble around as she becomes more and more woozy as the result of the chlorafoam now covering her face. The camera cuts to Elysia, all but her face now covered in a thick layer of white chlorafoam, who continues to grab handfuls of the chlorafoam and throw them at Porcelain. The camera cuts back to Porcelain, woozy and being hit by a continuous barrage of chlorafoam, as she blindly stumbles to one of the large pools around the room, the one filled with maple syrup. The camera cuts to a shot showing both girls as Elysia charges at Porcelain, and with one last mighty swing of the frying pan sends her tumbling into the giant pool of maple syrup. The camera focuses on the pool as Porcelain goes splashing in. She goes completely under, but then sticks her syrup covered head up to scream out some last words:

Porcelain: No! This isn’t fair! You cheated! You cheated!

As Porcelain completely submerges into the syrup the camera cuts back to Elysia.

Elysia: I don’t play by your rules.

With that Elysia exhales deeply, as she lets herself finally collapse onto the ground. As she sits there she discards the frying pan, and starts to slowly wipe the foam off her body. The camera lingers about twenty seconds before quickly cutting to outside the factory. We see a convoy of police cars, sirens blaring, pulling up outside.

The camera cuts back to Elysia, a huge pile of foam can be seen next to her, but a thin layer still clings to her body. She lets out a laugh of joyous relief.
Suddenly Porcelain bursts out the pool of syrup, with a loud cry she lunges towards Elysia. Elysia lets out a loud scream as she desperately tries to fight Porcelain off.

Roll closing titles.

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By the same Author
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Messy University deletion notice

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Just a warning that I am going to delete Messy University at the end of the month. Please save anything you want to keep by then.

TG


If Looks Could Spill

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The man was waiting by the gate when the two women pulled up outside the ramshackle house. “Mr Hargreaves?”, the elder enquired as they got out of the car. “I’m Susan Spencer.” She frowned slightly towards the passenger side. “And this is my daughter Simone. Please accept our condolences on the death of your aunt.”

“A pleasure to meet you both. And thank you. She passed peacefully.” Hargreaves pushed the rusty gate, which whined in protest. “Let me show you to the house.” He made his way up the garden path, fumbling in his pocket. Behind him, the mother negotiated the gauntlet of potholes and overhanging weeds, alien to the surroundings in her flower-print blouse, pleated skirt, and tasselled suede jacket. The daughter loitered unimpressed by the gatepost.

Hargreaves produced a keyring. “I think this one is for the front door… yes”. He turned to see the mother contending with some goosegrass that had ensnared her tights. “Let me help you, Ms Spencer”.

“Thank you”, Susan smiled, as Hargreaves stamped away the clinging weeds. Her long, honey-blonde hair billowed in the breeze. Marine-blue eyes perused the house from a heart-shaped face, her forty years all but masked by expensive make-up. She studied the narrow eaves and intricate window arches of the Victorian Gothic frontage, the wood now rotting and several panes cracked. A gargoyle leered down at her, all the more grotesque for half of its face having crumbled away.

“I’m afraid my aunt didn’t keep the place to its potential.” Hargreaves stroked his salt-and-pepper beard as he followed her gaze. “Pity, it was a fine house when I was a boy. Did you ever visit her here?”

“Never”, Susan shook her head. “In fact, I never saw Professor Hargreaves again after leaving my course. Twenty years ago, that was. I’m amazed she even remembered me, let alone left me her academic articles in her will.”

“Oh, she remembered you alright”, Hargreaves remarked. “The most talented student she ever had, so she said. Thought it a terrible shame you didn’t complete your course.”

“Some things aren’t meant to be.” Susan pursed her lips and glanced at the daughter whose birth had curtailed her studies. In terms of facial features, Simone Spencer was a near carbon copy of her mother, save a smaller mouth, a slighter chin, and amber eyes that seldom saw the father she’d inherited them from. But when it came to apparel, the pair diverged at right angles. Frayed jeans and a vulgar t-shirt stretched themselves over the girl’s boyish figure. Her hair was dyed jet-black, cropped and spiked, and a nose ring completed her punkish look.

“She didn’t have many friends towards the end”, dwelt the nephew. “Folk were scared of her. There was this fear that if you incurred her displeasure then…” He trailed off.

“…Misfortune would befall you?”, Susan blurted. “Sorry… I shouldn’t have said that. Complete nonsense, of course.”

“It’s what everyone thought”, Hargreaves shrugged. “Surprising how supposedly learned people can be so superstitious.” He tugged at his beard. “Anyway, Ms Spencer, all the best gathering up your inheritance. I would stay and assist you, but it’s my son’s birthday.”

“You’ve already been very helpful, Mr Hargreaves. How old is your son?”

“Sixteen. Such a busy time – exams and all that. What about this one?” He gestured Simone, who still languished at the gatepost. “GCSEs or A-levels?”

“Second year of uni, actually”, Simone informed him. “I’m twenty years old.”

“Simone’s on her break between terms”, said Susan through gritted teeth. “I brought her here to make herself useful for once. I’ll put the key in the post to you, shall I, Mr Hargreaves?”

Simone’s amber eyes followed Hargreaves with a withering look as he walked off to his car. “GSCEs or A-levels”, she sneered.

“If you will act like a stroppy teenager… Now, why don’t you get the packing cases out of the car, instead of just standing there?”

“Because I’d much rather be spending the weekend with my mates than stuck with you in this old dump”, scowled Simone, not budging.

Susan harrumphed and turned the key in the lock. The sight that greeted her made the house’s exterior look spick and span by comparison. Stretching before her into the dingy hallway lay precarious piles of papers, haphazard heaps of boxes, and furniture seemingly arranged with an absence of any underlying logic. Beside the doorway a stack of leather-bound books teetered, and Susan barely jumped clear as they came crashing down.

She turned back to Simone. “For your own sake, you better pull your weight”, she warned. “We’ve got our work cut out here, and we’re staying as many hours – or days – as it takes.”

The day wore on. Simone acquiesced to her mother’s pestering and knuckled down to sifting through the late professor’s junk. By the afternoon’s end, she was actually enjoying herself, though she would never admit as much. She holed herself away in a long, gallery-type room that was lined with display cases. Professor Hargreaves had been an anthropologist, and the cases exhibited various totems and trinkets she had acquired on her fieldwork. Simone examined each one before she bubble-wrapped and packed it. Most were crude, and many downright creepy, but a few were charming in a simple way.

One piece in particular caught Simone’s eye. It was an oval pendant, beset with a russet gemstone, rimmed with tarnished but ornate bronzework, and suspended from a string of interwoven bark fibres. Simone went to the window and held up her find, the gemstone glowing warmly in the sunset. Casting a furtive glance around the room, she slipped the item over her neck. It hung heavily against her t-shirt, bringing out the contours of her small breasts. She took a selfie on her phone and smiled at the result; the match with her eyes was perfect.

“Simone?”, called Susan. “Simone, can you come here?”

Simone tucked her acquisition out of sight inside her t-shirt, knowing that her mother would only take it off her. Anything nice that came Simone’s way, her mother coveted. She hogged Simone’s books and DVDs, waltzed into the pubs Simone drank in, meddled in Simone’s friendships. The cow even dared to flirt with Simone’s boyfriends. Simone resolved that her mother would not get her hands on the pendant. This was her find to keep. The cool bronze against her breastbone made her feel accomplished, powerful even.

“Simone can you hear me? I’m in the kitchen. SIMONE!”

“I’M COMING!!”, roared Simone. She stormed across to the cluttered kitchen where Susan was gingerly sifting through filthy pots and crockery.

“Ah, there you are. Can you fetch the suitcase from the car before it gets dark? Oh, and get some groceries while you’re at it. I think I saw a Co-op down the lane.”

Simone frowned. “Why do you need the suitcase? It’s only got our overnight stuff in it.” Her eyes widened. “…You can’t seriously be thinking…”

“Of staying here? Of course we are. There are two perfectly good bedrooms upstairs.”

Simone screwed her face. “Can’t we go to a hotel? Or a B&B? Or anything but this?”

Susan snorted as she turned to the sink. “Are you going to pay for it?”

“It’s your lousy inheritance!”, Simone puffed. “Though I can’t see why we’re bothering to collect it. Do you seriously want all this mouldy old junk?”

“Oh, so it’s ok for you to swan off to university at my expense, but if I want to study, to enrich my knowledge, that’s a different matter?!” Susan clattered plates together as she rummaged in the sink. “Did you hear what the nephew said, about me being the Professor’s most talented student? I reckon this inheritance is her way of giving me a second chance. This was my passion, my aspiration, my future career. And I had to give it all up to raise you!”

“It’s not my fault you let some loser put his dick in you without protection”, Simone flashed back.

“I didn’t have to keep you, but I did.” Susan slammed crockery together. “And look what I get for it!”

Anger bubbled up inside Simone, and at the same moment the plughole gurgled. A stream of globby green grime spewed upwards and splattered over Susan’s front. Susan shrieked and leapt back, convulsing in disgust.

“Oh my god, what’s THAT!?”, Susan shrieked, her hands quivering. “Get me a towel! GET ME A TOWEL!!” The lumpy slime dripped down Susan’s designer blouse and clung to the ends of her hair. It had also caught her lower face, sticking in nasty green gobbets around her mouth. Simone made no effort to fetch the requested towel, but stood with arms folded enjoying the spectacle, adding insult to Susan’s injury.

“Let me know if you still want those groceries”, Simone tittered. “But if I were you, I’d phone for a takeaway!”

Simone skipped off down the hallway, leaving her mother to grimace and splutter in distress. What a shot! The house’s dodgy plumbing couldn’t have better expressed Simone’s sentiments if she had willed it. Indeed, it felt like she had willed it.

But how?

Simone fished out the pendant from under her t-shirt and held it before her. Glinting in the dim light, the russet stone appeared to wink at her.

Even after a long soak in the bath, the drain stench still lingered in Susan’s hair. She emerged from the bathroom to find that Simone had bagged the guest bedroom, leaving her with the late professor’s abode to sleep in. Susan shuddered as she pushed open the creaking door and eyed the bedroom’s faded chintz. She’d only opted to stay in this house to spite her daughter, and now she wished she’d booked alternative accommodation after all. Even with the professor gone to the grave, ill-will permeated the air.

That incident in the kitchen was the just the kind of thing…, she started thinking, then stopped herself. Rumour and superstition, she reassured herself, just as the professor’s nephew had said.

The bed was surprisingly comfortable, if a little musty, but Susan lay awake for some time, her eyes tracing moonlit shadows through the curtains, her ears attuned to every creak. It’s just rumour and superstition, she repeated, rumour and superstition… rumour and superstition… rumour and…

The graffitti-pocked bench squeaked as a twenty-year-old Susan fidgeted. She crossed her arms over her abdomen, hoping to hide her growing bump from her fellow students. In front of her, chalk clacked on the backboard as a freshly-appointed lecturer delivered her maiden seminar. The lecturer was about twenty-five, attired severely in a stiff white shirt and black pencil skirt, with frizzy red hair in bunches and large, steel-framed spectacles.

“Poppycock”, muttered a voice beside Susan. She turned to discover Professor Hargreaves seated in next to her, her profile crone-like in the dimmed lighting of the lecture theatre. “Dr Jones, your methodology is quite discredited”, the professor croaked, “as you would know if you’d read my paper on the subject.”

The lecturer blinked behind her owlish glasses. “I’ve read your paper, Professor Hargreaves. And with all due respect, it’s your reasoning that’s faulty.” Dr Jones proceeded to outline Hargreaves’ errors, and Susan observed the middle-aged professor’s lip curl in displeasure. A few students whispered in anticipation.

“…so I believe that vindicates my approach, Professor. Do you have any further questions?” The plucky young academic permitted herself a small smile as Hargreaves sat silent and seething. “Then I shall continue.”

Dr Jones picked up the water jug to replenish her glass. The heavy vessel began to tilt in her delicate grip. She fumbled in alarm, but nothing could stop the jug tipping. The prim young woman shrieked as the cold water engulfed her front, turning her shirt see-through to reveal a surprisingly raunchy black bra. As she leapt back, her skirt snagged on the lectern and dropped to her ankles, exposing her pantyhose and a pair of black panties to match.

The elder contingent of the audience gasped; the younger chortled; the politically-incorrect wolf-whistled. As for the distraught lecturer, she staggered backwards in a daze and crashed into a set of shelves. On the upper-most shelf, a king-size ink pot wobbled and then toppled. Its royal-blue payload glugged mercilessly down on the hapless Dr Jones, saturating her bouncy red bunches until they hung dark and lank. The ink covered her face and ran down her shirt and tights. It was carnage.

Laughter reverberated around the theatre and students thumped their benches. Dr Jones removed her now opaque glasses with a trembling hand, took one last look at the mirthful audience, and fled the room in tears, never to deliver another lecture at that university.

As the jeers echoed down the corridor after the humiliated young woman, Professor Hargreaves sat quietly chuckling. The skull-like head rotated to face Susan, green eyes glinting with malice. “That’s what she gets for contradicting me!”

40-year-old Susan’s eyes snapped wide open.

In contrast to her mother’s fitful night, Simone slept like a log. The pendant remained around her neck throughout, and her first action upon waking was to pull it from under the covers and admire the russet stone in the morning light. She vowed never to take it off; it belonged close to her heart.

Downstairs Susan was clattering about in the kitchen. Simone rose and dressed. In no mood for a confrontation over cornflakes, she slipped out to explore the back garden. Like the front, it was neglected and overgrown, but someone, perhaps the nephew, had recently made inroads in mowing the grass. Simone followed the garden’s gentle gradient down to a babbling brook. Removing her shoes and socks, she sat with her feet in the fast-moving stream. The water was bracingly cold, but refreshing at this time of the morning.

She took out her phone and perused the latest social media updates. There had been a gig in her home town last night and her friends were raving about how great it had been. Simone bristled as she scrolled through her timeline, all the more annoyed that her mother had dragged her out to this dump.

A shadow fell across her. “Ah, there you are.” Susan stood over her daughter, attired in a similar blouse, skirt and jacket to the day before. “Come and fix yourself some breakfast if you want some, then it’s back to work. The sooner we finish here, the sooner we can leave.”

Simone didn’t look up, but kept fiddling with her phone.

“Excuse me, I’m talking to you!”, scowled Susan. “There’s work to be done – no time for sitting around.”

“You can’t tell me what to do”, growled Simone. “I’m not a kid anymore.”

“Oh really?” Susan stood with her hands on her hips. “If you’re so grown up then why don’t you get your own place, pay your own bills, and support yourself through university? I gave up my studies to have you; now I’m paying for yours and all I get is your shirty attitude! Well I tell you, girl, whilst you’re living under my roof, spending my money, you’ll do as I say and you’ll show me a bit of respect…”

Simone’s ire intensified, and with it a strange groaning emanated from the Earth. She watched as fissures developed beneath her mother’s feet; the riverbank was giving way! Susan continued to rant, oblivious to the unfolding peril, while Simone willed the cracks to grow.

It’s time for your morning bath, you miserable old cow!

“Look at me when I’m talking to you!”, Susan shouted.

The ground crumbled. Susan pitched forward, her body maintaining a straight posture as her eyes boggled with alarm. Her arms windmilled to no avail. She accelerated towards the clear, frigid water, her body horizontal as she made splashdown.

Susan’s head re-emerged, her hair lank and her face frozen in shock, followed by her torso. Her suede jacket hung heavy, ruined, and her blouse clung to her small, pert bust. She tried to stand up, but tottered in the rapid flow, landing on her arse on the riverbed. She bleated with distress as her stilettos bobbed away on the current.

Simone made no move to aid Susan. She sat with a contented grin, even taking photos on her phone. What a perfect start to the day!

Gasping, Susan hauled herself onto the bank. The weight of her saturated garments was incredible. As she crawled onto terra firma, something white splattered onto her shoulder. A jackdaw squawked, circling overheard.

“Uggh, you little bastard!”, she muttered.

Simone looked on nonchalantly. Again, again!

A gull swooped across from a nearby tree. Susan looked up to be met with a second, larger splodge of white, square on the forehead.

“I… do… not… believe it!”, she seethed.

As the two women listened, a rustling crescendoed in the trees. The birds of the neighbourhood took to the skies, as if summoned by an inaudible signal. Susan whimpered in incredulity as poo after poo plopped down onto her hair and clothes. Simone, just a few feet away, remained unscathed.

The sky grew noisy as birds flocked from far and wide to congregate above their target. As the shower of guano intensified, Susan took to her feet and fled. Simone looked on in astonishment – and ever-mounting delight – as the avian cloud chased her mother like a curse. In her distress and disarray, Susan tripped headlong into a pile of newly-mown grass cuttings. She wriggled out with grass stuck all over her wet form, while her feathered pursuers continued to cack on her from above.

Simone put a hand to her chest, clutching the pendant through her t-shirt. There could be no doubt, it was responsible for the unfolding calamity. Or rather, she was responsible. The pendant was a mere conduit, channelling her rage into slapstick retribution. Simone had years’ worth of resentment pent up in her, and boy did it feel good, turning her smug, stylish mother into a bedraggled, wailing wreck!

She watched as her sprinting victim veered close to a wooden partition. During her earlier exploration of the garden, Simone had discovered there was a compost heap on the other side. Recent heavy rainfall had turned the compost into a thick slurry.

“In there”, she commanded.

Right on cue, Susan vaulted over the partition in a desperate attempt to escape the birds. Too late she realised her error. She screamed in anguish as she careened face-first towards the gloopy brown broth.

“YES!!!” Simone pumped her fist as Susan’s feet disappeared behind the partition, quickly followed by a brown wave surging over the top. She pulled out the pendent and kissed it. Relations in the Spencer household were going to be a bit different from now on.

Over the following weeks, Simone subjected her mother to a constant stream of messy misfortunes. In the beginning, the pendant acted on her impassioned impulses, but over time she developed a more discerning control over its power, able to conjure up minor mishaps on a whim. If Susan said something to incur Simone’s distaste while they were walking along the street, Simone would arrange for a bus to splash Susan. If Susan scolded Simone at the breakfast table, Simone would treat her mother to a faceful of porridge. If Susan went to the pub to demand, in front of Simone’s friends, that Simone come home immediately, Susan would end up leaving with beer in her hair and her tail between her legs.

And every time, Simone would stand innocently by with a wry smile.

As for Susan, the poor woman’s nerves were fraying. She knew it was no coincidence that her unlucky streak had started after visiting Professor Hargreaves’ house. History was repeating itself. Just as bad luck had befallen anyone who had crossed the late professor, now she suffered whenever she locked horns with her daughter. But Susan was at a loss as to how this was happening. She had no knowledge of the pendant; Simone took care to keep it concealed beneath her clothing.

This was to change when the pair attended a wedding. Susan, exquisitely attired in an expensive peppermint dress and matching hat, was turning heads at the buffet reception, especially among the male contingent of guests. She was in her element, the unpleasantness of the past weeks all but forgotten as she clinked glasses and lapped up compliments. Simone, hatless in a cheaper, plainer, grey dress, smouldered in the corner of the marquee with a plate of salad, watching her mother flirt with a dishy Italian closer to her own age-group.

The cool kiss of bronze on her chest caught Simone’s attention, and an idea came to her. Why not? Why not flaunt what was hers? She deserved to look nice too. Simone pulled out the pendent from inside her dress and let it hang in view; it was just the sparkle the dull garment needed. Imbued with a new confidence, she strolled into the throng.

“Well ello, oo’s thees?”, grinned the Italian. “Your-a younger seester, Susan?”

“Oh Marco, stop it!”, Susan giggled, playfully slapping his chest. “Simone is my daughter.”

“Surely not”, crooned Marco. “You can’t-a be old enough, no?”

“She is – Mum’s forty-one next birthday”, chirped Simone, causing Susan to flush.

Marco reached forward and gently took the pendant between his thumb and forefinger. “What-a charming beauty”, he remarked. His deep brown eyes swept upwards to meet Simone’s. “Much-a-like the wearer.”

“Marco, would you excuse us a moment?” Susan took Simone aside. “Where did you get that?” She jabbed a finger at the pendant.

“Charity shop.”

“Don’t lie!”, hissed Susan. “You took it from Professor Hargreaves’ house, didn’t you?”

“So what if I did?”, Simone shrugged.

“It doesn’t belong to you. It’s my inheritance. Give it to me.”

Simone simply glared at her mother.

“I said hand it over!”, barked Susan. “Right now!”

Susan reached forward to snatch the contested item. As her fingers closed in, an arc of electricity leapt from the pendant towards them. She yelped and leapt back. A few guests looked round at the commotion.

“It belongs to me”, Simone told Susan, who nursed her smoking digits. “As does your ass, Mother Dearest!”

Simone nodded at a catering trolley, which began to roll of its own accord. It slammed into Susan’s front, winding her and whisking her off her feet. Sour cream and houmous dip splurted outwards as Susan landed with her front in the buffet. Her hat tumbled off her head.

“You want something interesting to wear?”, grinned Simone. “I’ll give you something interesting to wear!”

The trolley again launched into spontaneous motion, this time lurching forward. All Susan could do was cling on for dear life, as alarmed guests jumped clear. The string quartet scarpered with their instruments as she whizzed through, making a beeline for the giant, multi-tiered wedding cake.

“NOOOOOOO!!!!”, Susan yelled, as the humongous white confection filled her vision. Her head and torso ploughed into their target in an explosion of icing. The cake merged with the human vehicle, with Susan’s completely white head and cream-engorged cleavage poking out the front, and her tight-encased legs kicking helplessly at the back. With no signs of slowing, she ripped through the wall of the marquee and out into the grounds of the country hotel where the wedding was hosted.

“Gosh, what a novel way to cut the cake!”, gushed a voice beside Simone. The guests poured through the hole, excitedly chattering.

Simone looked on with satisfaction as the trolley hurtled across the lawn towards a large lake. Susan’s eyes bulged on her cream-covered face. The wheels hit a rock by the edge, sending the exquisite milf-turned-white-blob into a whirling somersault. The poor woman plunged into a stinking morass of algae and duckweed.

Marco arrived by Simone’s side. “My-a God, what appened!?”

“I’m afraid my mother can’t handle her champagne”, Simone sighed, as she savoured the sight of Susan thrashing like a swamp monster in the stringy weeds. “Something like this always happens – very embarrassing.” She leaned into Marco, sniffing his delicate aftershave. “But I can handle mine. Why don’t we get a bottle and go up to your room?”

Susan’s knuckles hesitated at the heavy oak door. Stealing a deep breath, she knocked.

“Come in”, croaked a voice.

Susan ventured into the office. Hawkish green eyes stared from a face shrouded in the glare of the behind window, framed by two stacks of paper that stood like the twin monuments of an ancient civilisation. Susan shuffled from one foot to the other in front of the mahogany desk. A carriage clock punctuated the awkwardness with piercing ticks.

“Ahh Spencer, it’s you”, grunted the professor. “I must say, you disappoint me. That girl has got you over a barrel, hasn’t she? Made a slave of you in your own home. What a disgrace.”

Susan bowed her head, shamed by the stark truth of Hargreaves’ words. She had lost count of the times Simone had summoned her, any hour of the day or night, to fetch a bacon sandwich or cup of tea. Or the Sundays she had spent mopping up the aftermath of Simone’s house parties. Simone’s return to university for the new term brought Susan little respite; her daughter forced her to deliver a hamper of goodies every Saturday. Susan dared not disobey for fear of the consequences. She flinched at every bird that flew overhead. She cowered from every mud puddle. She was a broken woman.

A tear trickled down Susan’s makeupless face as she looked down at the unflattering sweatshirt and joggers that Simone forced her to wear. “It’s that thing round her neck, isn’t it?”, she mumbled. “What is it? Is that how you…?”

“The biggest disgrace is that you let her get away with it.” The Professor’s gnarled fingers drummed the desk. “She has none of your brains, none of your brilliance.”

“Then what can I do?!”, cried Susan. “Tell me!”

A grim smirk spread across Hargreaves’ haggish countenance. “You know I never hand out answers to students! Especially those who haven’t done their reading.” The wrinkled face softened with the faintest hint of kindness. “Do your reading, Spencer. Good luck.”

Susan’s eyes opened to find daylight streaming into her bedroom. “Do your reading”, she whispered back to herself. But of course! Why hadn’t she thought of that before?

Susan prized open the boxes of papers from her inheritance, which had hitherto lain unread. After several hours of skimming, she found her answer. Immediately, she jumped into her car and embarked on the long journey to the professor’s house. All the way her pulse thumped in her ears; she was terrified that Simone would somehow know what she was up to and put a stop to it.

“So where did Hargreaves keep it?”, Susan pondered as she drove. “Very close to her, surely… in her bedroom!”

She arrived at the house to find a “For Sale” sign outside. Several workmen were carrying out renovations. Susan jogged up the pathway, praying she wasn’t too late.

“Can I help you?” A decorator looked up as Susan entered the front door.

“I’m viewing the property”, she blurted, striding up the stairs. She shoved open the door to Professor Hargreaves’ bedroom, relieved to find the room as yet untouched by the renovators. Susan yanked open the drawers one by one, but didn’t find what she was searching for. She ransacked the wardrobe. Still no luck.

“Where is it? Come on, think!”

Susan crouched on the musty carpet and peered beneath the bed. She could just make out a faint glinting in the gloom. She extended a hopeful hand into the void.

A beatific smile spread across Susan’s face as she pulled out the object, coated in cobwebs but unmistakable. She tossed back her blonde hair and laughed her first laugh in weeks.

Simone sat on a bench in the campus, awaiting her weekly delivery. Her peers nodded warily to her as they walked by. They’d noticed the change that had arrived with Simone’s new fashion accessory. The russet stone had stolen some sparkle from those amber eyes. She’d grown cold, impassive, self-absorbed. An aura of portent surrounded her. Just last week, a lecturer had suffered a bizarre accident with an ink-cartridge after admonishing Simone for poor attendance.

Not that Simone lamented the widening gulf between her and others. She cared only for one friend, and it glinted loyally at her chest.

Susan’s car pulled into the car park. “You’re late”, Simone growled, striding over. “You’d better have brought everything I asked for.” Her displeasure heightened as she noted Susan’s attire. “And when did I give you permission to wear knee-high boots? You’re going to be punished for this!”

Susan said nothing, smirking as Simone opened the boot of the car.

“Is this some kind of a joke?”, snorted Simone. Instead of the treats she had requested, the boot’s contents comprised rows of foam pies and several buckets of colourful gunge. “Well, let’s see how funny you find this!” Simone nodded at one of the pies, which levitated and glided out of the boot towards Susan.

But the projectile halted, suspended in mid-air, equidistant between mother and daughter.

“Huh?” Simone furrowed her brow, focussing her mental energy on the creamy weapon. And yet it wouldn’t budge.

“What are you waiting for?”, taunted Susan. “C’mon, hit me with your best shot!”

Simone strained her will for all it was worth, but the pie steadily tilted in her direction, until the layer of foam hung parallel with her face. “Uh-oh”, she whispered.

“Surprise!”, grinned Susan.

WWWMMMFFFFFF!! The pie sprang forth and socked Simone in the kisser. The foam engulfed her features, surged into her nose and mouth, and splattered into her spiked hair. Stung and stunned, she pulled away the foil plate, gaping in horror at two further pies heading her way.

“No, not me!”, she spluttered. “Her! You’re meant to get her!”

The pies paid no heed to her protestations, slamming into the sides of her head like a pair of concert cymbals. Cream further covered Simone’s hair and filled her ears.

The foamy missiles kept coming. Every time Simone wiped her face, another smacked into it. The pies walloped her breasts, her tummy, her crotch. It was Susan’s turn to stand nonchalantly by, smirking with grim satisfaction, while the pies brutally transformed her miscreant daughter into a creamy white mess.

Spitting, rasping, Simone cleared her eyes to discover a bucket of gunge hovering just above her forehead. She grasped at the foamy pendant. “Not me! Not me!” With her pleas ignored, she turned to physical means, clutching the vessel with both hands, but its rotation proved irrepressible.

“Oh no! Oh no!”, Simone groaned, as the green gunge spilled forth, thick, sticky and cold. The slime flattened and buried her foamy mass of hair, plastering it to her scalp. The flow quickened as the bucket tipped further, slopping down on her shoulders and neck, oozing onto her forehead. Simone gasped at its gloopy heaviness.

No sooner had the first bucket emptied its cargo, a second came floating out of the boot. Abandoning any attempt to control the situation, Simone turned and bolted. One by one, the buckets took to the air in pursuit, bobbing along in a neat queue behind her.

“Leaving so soon?”, cooed Susan.

But sprint as she might, Simone was going nowhere. Her feet found no traction. Her legs flailed as she jogged on the spot, cartoon-character style. She was levitating!

The buckets encircled the helpless, horrified girl. They danced rings round her like fairground waltzers, their colourful contents sloshing teasingly over their rims. Several passers-by stared aghast at the spectacle. Up on a hillock, two students sharing a joint looked at one another.

“Man, this is some strong shit!”

A pair of buckets soared above Simone and titled, pouring yellow and blue goo down the sides of her head and onto her shoulders. Another floated at her eyeline, swaying back and forth before slinging its lumpy purple load into her face. As Simone spluttered, yet another of the vessels inserted its lip into the neckline of her t-shirt.

“Oh no! Please no!”, whimpered Simone. Merciless, the bucket unleashed an avalanche of pink gunk into the garment. Simone moaned as the coldness engulfed her breasts, spasmed as the goo dragged nastily over her belly.

Susan strolled around to stand in front of her mortified daughter. She reached up and took the last remaining bucket in her hands. “Revenge is sweet.” She upturned the bucket, smothering Simone’s head and face with sludgy black goo. With a satisfied smile, she banged out the dregs, then plonked the bucket over the humiliated’s head.

The force pinning Simone in mid-air evaporated as suddenly as it had arisen. She tumbled, bucket and all, into a messy heap on the ground. Susan knelt down and bundled her disorientated daughter over her knee. She pulled down Simone’s jeans and knickers, exposing the girl’s lily-white bottom to the burgeoning crowd of her fellow students.

“Now your ass belongs to me, Daughter Dearest!”

“What the hell are you doing!?”, wailed Simone.

“Something I should have done years ago, you wicked girl. I’m going to spank you!”

SMACK! SMACK! SMACK!! Susan’s hand meted retribution upon those tender cheeks until they glowed like an electric fire. Simone’s sobs resonated inside the bucket, tears mingling with the foam and gunge. “Please stop! Please!!” Wriggling in despair, she clutched at the trashed pendant. “Why doesn’t it work?!”, she bawled.

Susan yanked the bucket off her daughter’s head. “I’ll show you why.” She undid a button on her blouse and began pulling on a string of interwoven bark fibres. Simone’s reddened eyes stared over her shoulder at the majestic russet radiance that confronted her.

“Professor Hargreaves picked up two magic pendants on her travels”, Susan simpered. “And this is the bigger one.”

 

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